Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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A Defence of Religion
Part 2

DEMOCRACY AND THE IRRATIONAL

"The ideal of 'direct democracy' — democratie pure in the language of the time — was very prominent in the context of 1789 and continued to exercise a powerful influence upon the revolutionary movements of the nineteenth and twentieth centuries. In the absence of more accessible historical examples of democratic governments, the French revolutionaries found their inspiration in the models of the Greek city-state (the polis) and of the Roman Republic — perpetuated within Western political tradition by historians of classical antiquity and republican writers."1

Thus, Europe refused to listen to the sane advice of Thomas Hobbes.

But what emerged was not a secular state, but the sacred concept of the nation-state. "Its first purpose," observes Fontana of the Declaration of the Rights of the Man and Citizen, "was to confer on popular sovereignty the sacredness which had always accompanied the acts of the monarchy by appealing to universal principles and the authority of God."2 According to S.E. Finer, "...the Revolution became a kind of religion, and one that everybody was supposed to share".3

Above all, the great innovation of the French Revolution was the creation of the citizen-soldier-voter nexus. The Declaration 'consecrated the principle of election by or through the People'.4 The deification of the people had begun: the French people deified, the Germans soon reacted by deifying the German people. Finer quotes Heine as having anticipated Nazi Germany 100 years before the event: "There will come upon the scene armed Fichteans whose fanaticism of will is to be restrained neither by fear nor by self-interest; for they live in the spirit, they defy matter like those early Christians who could be subdued neither by bodily torments nor by bodily delights..."5

According to Fontana: "The new French republic showed that modern democracies would not be, as many had hoped, exclusively committed to commerce, quiet living, and peaceful relations with their neighbours. On the contrary, they could prove more aggressive and imperialistic than any of the monarchies of the Old Regime. The partisans of Greek, Italian, and Hungarian independence in the nineteenth century, the Red Army at St. Petersburg, the thousands of names on the mass graves on the Somme, aggressors and resistance fighters of 1939-45 all found themselves following in the steps of the ragged battalions who marched through Paris in the summer of 1792 singing for the first time the 'Marsellaise'."6

It is, therefore, not surprising to read that "The history of democracy in the nineteenth and twentieth centuries involves the story not so much of making the world safe for democracy, as Woodrow Wilson wanted it, but of making democracy safe for the world."7



Notes:
1 Biancamaria Fontana, "Democracy and the French Revolution", from Democracy: The Unfinished Journey,, ed. John Dunn, Oxford University Press, 1992, p. 112
2 ibid., p. 115
3 S.E. Finer, The History of Government from the Earliest Times, Oxford University Press, 1997, p. 1544
4 ibid., p. 1534
5 ibid., p. 1549
6 Biancamaria Fontana, "Democracy and the French Revolution", p. 124-5
7 Charles S. Maier, "Democracy Since the French Revolution", from Democracy: The Unfinished Journey,, ed. John Dunn, Oxford University Press, 1992, p. 126

Continued...