Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by C. Derick Varn

Convoluted Truths at the Teachers' Lounge

Between green wall and greening chairs:
quite like still life, at first, like the leitmotiv
of the dying who begin to sputter their last
words. The incessant spew: someone says
Piaget reveals that Babies are stupid,
another one whispers that transcendentalists
engaged in free love in a commune in Vermont.
Oh the sexual Innuendos in Walden Pond. Everyone
here avoids talk of real children—instead Antebellum
becomes the great dame of Reconstruction whose
particular affair with Ulysses S. Grant—or maybe,
Lee—is a Southern folk tale. Oh, sex and silverware.
Where was that? Edgar Allen Poe was the Belle
of the Ball? Emerson died in a ditch with a mouth
full of laudanum—pity the poor dragon-chasers.
Emperor Norton appointed a successor in D.C.
Then a student pops in—it's frozen silence.




The Trouble with the Erotic

Is that the language trips into
boring: piston, throb, pulse,
surrender, and unintended
metaphor of engine with
a nicked timing belt. Intimacy
hangs like a negligee, which
is, of course, a sign that
intimacy is a dilettante:
breathless and worn
like a flounder on a hook.
If there were a dictionary
of desire, it would consist
largely of drowning motions:
the flailing of an arm,
the slow collapse of lungs,
the suspension between
a gasp and a gulp.




On Being Told I Was Cryptic

A former professor leans
over a birch table
and says

you are turning
from mystery
to obscurity.


I respond:

Mystery: the sperm whales
floating gaudily down
Euclid Avenue.

Obscurity: the rose
growing from film canister
in a vastness
of Death Valley.

Mystery: The Empress
of Orchids walking
amongst river
dolphins.

Obscurity: Chairman
Mao's army of paper
tigers looming
in the back of
the man.


I sip coffee, and, like
a propaganda poster,
I smile.


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Derick sincerely believes that everyone needs to dance around their house naked at least once a week; in addition to that, being declared an ethicist has made him a general misanthrope. Most good ethicists are. He loves tomatoes and thinks that loving such fruit is profound. He does not like to speak in third-person because he understands that it is a sign of true insanity, but so is literature. He has vowed no longer to be witty in biographies that are included in literary journals of any medium.