Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Alan Britt

String of Beads

(It is a string of beads
one should look at with luminous eyes.)

          —Kabir
That's Kabir
tripping on pharmaceutical LSD or otherwise
analyzing our DNA
the way Socrates addressed
his students not enslaved
to hauling limestone
up the treacherous Aegean coastline
for the foundation of Greek society.
 
That's Kabir
asking us to drink our exotic coffees
with a modicum of truth.
 
It's the only way,
Kabir says,
to avoid the insufferable straw traps
laid along the forest floor
of our insufferable faith.




With Time to Kill in the Midst of a Crisis

For 20 years I’ve never quite discerned
these twisting white flowers
in the twilight
that filters
our gauze dining room curtains.
 
Outside, heavy humidity rubs her breasts
against all eight window panes.
 
I believe these white flowers
belong to the camellia or wild rose
family, somehow,
flapping their crocheted wings
at the sight of April
sauntering in the nude
past our open dining room window.




Thinking about Illusions

(I chose my own illusion...)
          —Pablo Neruda

Since illusions are doled out like bouquets
of canary, iris, and mauve flowers
neatly stacked in white plastic five-gallon buckets
waiting for us at the next intersection.
 
Well, the truth is that illusions
every day get crushed beneath the supple hooves
of a mountain goat
who's flowing white hair resembles an angel
recently escaped from the local Catholic church.
 
There are green chirps beneath the green canopy
of our fabulous maple
who's becoming a tyrant these days
with her glistening wet leaves
that create perpetual dusk.
 
A male cardinal injects his hypodermic of morphine
methodically into the afternoon's green shoulder,
followed by six drops of mercury
rolling down the cracked pupils
of the religious icon's paint-peeled eyes.


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Alan Britt's recent books are Vermilion (2006), Infinite Days (2003), Amnesia Tango (1998) and Bodies of Lightning (1995). Britt’s work also appears in the new anthology, Vapor transatlántico (Transatlantic Steamer), a bi-lingual anthology of Latin American and North American poets (Hofstra University Press/Fondo de Cultura Económica de Mexico/Universidad Nacional Mayor de San Marcos de Peru). Britt recently served as Panel Chair for Poetry Studies & Creative Poetry for the PCA/ACA Conference 2007 in Boston and read poetry at the WPA Gallery/Ward-Pound Ridge Reservation in Cross River, New York (2008). Alan currently teaches English/Creative Writing at Towson University and lives in Reisterstown, Maryland with his wife and daughter.