Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Six Poems by Leonard J. Cirino

Bound: for Sándor Csoóri

Now that you have what is called freedom,
does slaughter still come after laughter?
and what do I tell my daughter
who is wind over land, in the grave?
We break like sod in the palm, witness
utter despair, yet the world goes on.
Because of my sins I can barely ask,
Father, are You the One who confesses?
Oh lost cosmos, before and after
your fall, is it Fate, Truth, that fail us all?
They're frantically bound to our phrases.




In your country

green grass-blood aches in the shadows,
kernels of wood smoke lick the black
heart of humanity. Your ten hands,
a thousand cemeteries in the mountains,
wait for partisans to ambush
the mercenaries who flash blue eyes
at the sun, then turn back to scour
the villages where women and children
also wait, for the long stares to explode
like mortars, bullets and rockets.
In this country the mad hesitate
to follow orders: which lead to gurneys,
isolation rooms, where they strap us down
and stuff feathers past our tongues.
We pass out, fall into a wonderful world
beyond death, beyond idea, without breathing.




The Future Torturers: after Sándor Csoóri

If you see my shadow waking, and hear
the clock ring thirteen, then you've witnessed
their crimes against imagination:
the men and women with dwarfish thoughts
who swarm among the classical ruins:
white-faced gods arming themselves in secret,
with papers, summons, writs, and decrees.
At bay, the harbor pumps decay, debris,
rivers choke and fish flush, belly-up.
At the pubs, the well-groomed patrons,
push, shove, and posture, drink exotic beer,
as their ringed fingers fondle the glasses.
They trade their fantasies of expensive
women for weapons shipped to the east,
grin and snort, like those without eyes
who hear the smells, eat their hearts.
They own this day, and the future, they say.
Who knows why the fearful passersby
fly to the distance with a pigeon's grace.




I Wish I Could Have: after Du Fu's Visiting General He

I wish I could have visited that museum
before it was looted, examined all the treasures,
and told the people how much I grieved
for their country, and for mine too.
If there had been a General like He,
and I had been invited to his garden,
I would have let him know how much
I love the sand and pebbles of the desert,
how much I adore the stars. But, I imagine
if I had, the people would have been afraid,
and run off calling for their God.




Cradle of Death: from Du Fu

Blood laps the banks of the Tigris
and there are many who complain,
but our voices aren't heard by those
who believe soldiers and civilians
are born to die in sand. And what
do these new ghosts say to the old
who have gone before them? Their bones
lie thick and uncollected, their bodies
bombed and discarded by the roadside.
Here, in the safety of home, I wonder,
Who hears them on the darkest nights?
Who listens under the stark mad sun?




Gamble: from Du Fu

The moon comes up swimming
over the eastern peaks, a lovely
mermaid, charming and naked.

But the climate has changed;
few clear nights, and days with variable
winds and extreme highs and lows.

Spring is still a spoiled child here,
and whimsical with bird music.

Many would like more stability,
but the despots flourish in this chaos.

Here, I could always roll the dice
and end up penniless, yet blissful.


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Leonard J. Cirino is from Springfield, Oregon. He has a new chapbook available from March Street Press called After Yang Chi & Others.


Comments (closed)

Violetta Tarpinian
2009-07-04 01:11:30

Hello neighbor!

Good stuff, and I like your format, small but powerful packages. I'm in Eugene. contact me if you wish.

Violetta

Leonard Cirino
2009-07-04 16:42:53

Thanks Violetta,

Don't know if t his will get through to you as I'm not technology oriented. I'll have a new book out in the summer or fall and will have a reading at Tsunami's sometime in the fall. Would be nice if this gets to you and you reply. I live with my 95 year-old mother whom I do full time home are with the help of a few others. I'm on 19 hours a day seven days a week but I try to nap some when I'm on. A little stressed and exhausted but the poems keep coming. Let me know if you get this and I can always send newer work, best to you and thanks, Leonard

Violetta Tarpinian
2009-07-05 19:35:36

Hi Leonard,

It's good I looked on your page, and there it was. I don't know if my email address is visible here, though I unmarked "hide", but here it is again:

violetta.tarpinian@gmail.com

Let me know when you're doing anything at Tsunamis, And if you want to have some coffee/tea/talk/poetry/story sharing, please e-mail me.

You'll find some of my writing here at Unlikely, put my name in the search box and things will pop up.

Best,

Violetta