Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Chris D'Errico

Mushroom Clouds over the Mojave

from Roswell to Rachel to the playas of Black Rock

chuckwallas bask fat in radioactive dunes
petroglyphs flip us a peace sign or is it a middle finger

in the spires & the frescoes & the stained glass
stone sculptures & iron fangs

it's only a facsimile of Nietzsche smiling
in a ten gallon hat & spurs

as villains cackle & twist the ends of their mustache
& the nervous endlessly gaze back at themselves

weeping over silver fortunes lost in the canyons

but it was just that buck-toothed gas station attendant
nose like a Joshua tree
he gave us a Paiute map, nice guy

sizzling in the wild neon hollows of the West
sliced open a cirrus cloud & let God's blood trickle

as the rattlers & coyotes took the stage to jam
hillbilly tribal incantations to a pregnant moon
blacked out by the horror vacui of a million Hoary bats

waxing on a draconic thunderhead

the Red Eye has reached its cruising altitude
nightfall slashing through

a flesh-colored moon above the Mojave
up where birds hum tunes to themselves in expert pitch

a full moon turns red from wildfire smoke
hanging there, disembodied in the valley
bloated from an inferno near Palm Springs

just north of Immortality & Derision
just south of Forked Tongued Insanity
west of Serious Laughter & Prescription Arguments
east of Furious Joy & Curious Repose

rolling into the Chevron, cobalt sky
as the dawn disintegrates
the sun's furnace bakes pigeon blood on our windshield

corpuscles race along blue & winding

veins, white knuckles lean on a torn map
color of bone, the color of snow on black asphalt
the mountain relief after relentless city attrition

alcoholic bums on Fremont moan
in tune with dirty engines
drug addled cops chasing a sugar rush skid
into the night-
shift

adobe-heart cracked, without reservation, the Big Chief
urinates behind a Payday Loan...

the Southwest sings its arias, plucks its folksongs




Devil's Golf Course

Here, the future can't cum without murdering
past lovers. Like the black widow eats her mate
after letting him do his business, this land was built
on losing hands. America's middle

is shrinking, waistlines expanding, but here,
it's below the waist
where the most accurate measurements are taken.
There could be some well-turned phrases

about the resilience of our species spoken
by well-tanned philosophers
with ghost writers who rough draft manuscripts
in luxury suites— all expenses comped.
It'll be a bestseller, an impulse buy. Here,

we snicker at the uninitiated: bobbleheads
of Elvis & Sinatra greeting wide-eyed farmers
(who don't know Europe from a french-fry)
gawking at scaled replicas of the Eiffel Tower

& the Arc de Triomphe. Bloated we celebrate
to canned applause, us transplanted East Coasters.

Grow your fingernails & beard long (viva Howard Hughes),
wear nothing but boxers, a bathrobe
& empty tissue boxes for slippers,
order room service anytime—
breakfast for dinner & Jell-O shots for dessert.

Increasingly allergic to blank spaces, watch out
for the desert brown recluse scrunched in the toe
of her right pump, infesting the folds of his addict-brain
when furiously pumping those poker buttons, shuffling for
a kicker with four aces.
Run your thumb down the dulled edges of the city's spine
dancing to the rock opera of backhoes & bulldozers,
suburbs flabby with streets named after tropical destinations
& cornball entertainers,

bright green palm fronds bristling
in the high noon, encrusted
with frost from a freaky cold December weekend,
refusing to go beige with the scenery,
standing at attention— that giant saguaro cactus like a dude
with a big boner praying in the neighbor's front yard.
You can't take booze & sex & motorhomes
away from the people, here. Lady Luck playing dominoes
inside an eastside Filipino restaurant
told me so. When June clicks on Mojave's oven,

professionals in polo shirts & golf spikes retire
cool to their gin & stock quotes. Everything timed perfect
like a backroom skim, a downtown demolition—
leaning to the right like Fox News programming.

We all swelter, weathering the brutal extremes, some
sequestered indoors to watch California burn on HDTV,
smoke caressing rooftops as fires devour gym rooms.
Like some kinky ritual:

a feathery boa draped across her navel in a dim-lit motel,
muscled thighs of showgirls kick & gyrate,
hot & visceral, no fallacy of privacy, the poetry

of public implosion captured by sneaky paparazzi
in the oily sunshine hauling in the dirt
so everyone can play a few rounds & take their shots,
stroke after stroke—
if you get any pangs of conscience

in your one ton pickup & a trailer loaded with ATVs
on the way to a long weekend in Yosemite,
you know, you can get a good deal on a vasectomy
if you just call the number you see
on any of those billboard ads in your face

while speeding along U.S. Route 95.


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Born in Worcester, Massachusetts, Chris D'Errico has worked as a line cook, a doorman, a cheesemonger, and an exterminator. His poems have appeared in literary journals and online magazines, in print and scattered throughout cyberspace, such as Las Vegas City Life, My Favorite Bullet, Thunder Sandwich, and Thieves Jargon. Offcenter Press published his chapbook Debris of Hearts in 2007, Virgogray Press published his book Vegas Implosions in 2008. He fronts the harmonica-heavy, experimental funk/blues project Sidewalk Beggar. He lives in Las Vegas, Nevada with his wife, Tracy.