Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Beside the Dumpster and in the Sun
Part 3

The money began to dwindle, and Keith didn't care. Desperation, once assuaged by making love in rhythm to the refrigerator's odd banging and clanking, had drawn itself into a circle that surrounded both husband and wife, and Keith didn't care. Angie arrived home from work, and with an utter honesty that probably sought the quick-fix of a hug and nothing else, said, "It's like my life isn't mine anymore. My clients take without giving. They tell me the worst stories about addiction, rape, abuse, violence, and they always make themselves out to be innocent. Even though I want to help them, still, they're not honest with me. I'm tired. I'm sure when I go to work tomorrow I won't care. I don't care anymore." And Keith didn't care either.

More often than not Keith left Angie on the couch and took refuge in aimlessly roaming the streets. During the days, under the pretense that he was looking for a job, dropping off resumes, doing research in the library; and with the evenings he displayed a more brazen attitude, offering no excuse whatsoever for his quick departures.

He thought of getting himself a whore and he'd ravish her as he did the angel hair pasta, but at best his ten dollars was probably just enough for a quick generically-bought spaghetti suck from some toothless, haggard, old slut. Angie chewed her fingernails and thought about looking up her friend the assistant principal to see if maybe there was a way she could get her hands on a little coke, but Angie remembered her clients, and how she didn't want to be anything like them, because secretly, even unto herself, she hated them.

****

Blind Man had always listened to Melvin's convoluted stories without attempting to garner from them what was actually true. It had taken him years to understand that the only way to live on the streets was to accept whatever daily reality presented itself. Beside the dumpster he clutched a telephone pole while Melvin rummaged through the discarded lies of others' lives. Melvin tried to get him to drink an inch of thick viscous gunk from the bottom of a Campbell's Soup can. Pushing it under Blind Man's nose, he told him not to worry, that whether he drinks or not ain't nobody gonna be throwin nobody in the river tonight.

Before the darkness, rivers and memories had no place in Blind Man's life. These ephemeral images floated within walls. On the streets people shared their shame and had no use for memories, there was nothing to uncover or figure out.

Continued...