Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Jonathan Hayes

Checking Email

My girlfriend
and my publisher,

which one
do I delete first?




Full Morning Drunk

A computer still has porn in it

And the t.v. has a netflix movie leftover

The dealers are back out on market street —

I return to last night's desk

And its strategic battlefield

Of a vicious circle.




The Japanese Death Poem at Halftime during the NBA Finals As seen from our seats

The itty-bitty roach runs up my $2.00 "out the door" High Life forty
circling the piss yellow fat sweating glass bottle.

Then it disappears. I pound the desk with my Pillsbury Dough Boy fist, but the stubborn and stubby little roaches are young and dumb and awfully annoying, and come back most certainly always.

And the funny thing is that if they can survive a nuclear bomb,
how come they don’t climb up my silver radiator, which is keeping
my Subway foot long Philly cheese steak warm and cheesy and
crunch toasty with its bubbling and hissing of water and steam.

"How come?" in a Craig Ferguson 'Late Late Night Show' voice.


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Jonathan Hayes lives inside a permanent fog bank located inside his rent-controlled apartment in San Francisco, California.