Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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In Case of Apocalypse, Break Glass
by Don Hucks

So I made a piece of art and sold it online. For fifty dollars. A wine bottle stuffed with strips of paper: a hand-written poem put through a shredder.

About a month later, I got an email. "That was the worst poem we ever read. We're sending it back. We'll expect a refund. Thanks, the Smiths"

The following Monday, a package arrived. A box full of broken glass and crumpled sheets of taped together paper strips. I put the box on a shelf in my closet.

A week later, I received a follow-up email. "Inquiring with regard to our anticipated refund. Please advise."

I sent a reply. "You never read Marmion?"

Half an hour later, the Smiths answered. "Okay. The second-worst poem we ever read. Please remit."

I responded. "Dear Smiths, I'm willing to confess that poetry isn't really my thing. But my intention wasn't actually to sell a poem, anyway. It could have been a grocery list. The artistry lay in shredding it and putting it in the bottle. Anyway, if you were that curious, you could have dug out the cork and fished out the paper with a wire hanger — no damage done. I really don't see how I owe you a refund. Best, Don"

The next morning, I found the Smiths' reply in my inbox. "While we're discussing proclivities, your fiction is derivative and overrated. Maybe that's not your thing, either? A grocery list would have been much better; at least it would have been ironic. That would have shown a touch of genius, in fact. We would have kept a grocery list. We would have adored a grocery list. We would have run to the store to buy every last item on a grocery list. As for digging out the cork and fishing out the paper with a hanger, that would have been a bit cowardly and a trifle dishonest. It would have been stealing, frankly. And we, sir, are more forthright than that. Now give back our money, Motherfucker!"

I was shocked. Derivative of whom? Over-rated by whom? I decided to stick with the first question, and I fired off an email. Of course I knew the answer, but I wanted to see if they did. I wanted to know if the Smiths had done their homework.

Just after noon, they sent a reply. "Don't patronize us, plebeian. We have MFAs in literary theory. We could teach you a thing or two about your own 'work.' Things you never even imagined. We not only recognize all the authors from whom you have deliberately stolen, we could name a dozen writers you've ripped off without even knowing it. We can identify novels you picked up in your youth, put down after reading the first chapter, forgot all about, and then, years later, remembered, vaguely, deluding yourself into thinking you had invented. But, alas, we digress. Give back our money!"

A week later, I was googling my name. At the bottom of page three was a heading: Don Hucks is an asshole. I followed the link.

Apparently the Smiths had started a website called Don Hucks is an asshole, conveniently residing at http://www.donhucksisanasshole.com. On the site, they enumerated my transgressions and alleged acts of plagiarism, and subjected selected examples of my writing to their exquisite academic derision. They had an associated blog, in which they invited their readers to share their own unsavory experiences with Don Hucks and/or his trifling literary efforts.

I showed the Smiths' site to my wife.

"Tell me the truth, Stace — is that the most heinous and diabolical thing you've ever seen in your entire life?"

"It is. Absolutely."

"I mean, it's not as bad as — I don't know — Darfur. Or Rwanda."

"Of course not. Or Burma. Or Tibet. Or the Balkans."

"Or Iraq."

"No."

"Or even, I suppose, the excesses of a corrupt and predatory financial system."

"Arguably."

"But, in the realm of things you've seen today... on the Internet... that have a direct bearing on me..."

"It's a provocation wrapped in an insult inside an injustice."

I confessed that, most probably, I was in fact an asshole. "But that isn't the point. These people don't even know me. I mean when Scott Ericson published that poem about what I douche-bag I am..."

"'Don Hucks is a Douche-Bag'."

"Right. I didn't even get that pissed off about it. I mean, first of all, it was a pretty decent poem."

"It was nominated for a Pushcart."

"And second, well, Scott and I have been friends a long time; so I figured he should know. But these fucking Smiths don't know me from F. Scott Fitzgerald."

"No. Of course they don't."

"And, please... the Smiths? Obviously a made-up name. A nom de guerre, I suppose."

Within a month, the Smiths' website was the first hit returned in a Google search of my name. The first hit. I hadn't minded so much when they were on page three — but the first fucking hit? I did a little investigating, and it soon became apparent that the Smiths, being a fierce and tech savvy bunch, had link-dropped to their site on a multitude of blogs and social networking sites — a classic search engine optimization technique.

Now, I didn't mind that they were harassing me via email, or that they possessed a more subtle understanding of my own work than I did, or even that they were mocking me in plain view of the World Wide Web. But if there's one thing I can't stand it's a link-whore.

Continued...