Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Olivia Kennett

Men in White
Men in Blue and Gray

and the other white, each
plunge crazily toward the earth


they share with it
the sound of branches
the wax head

gently backwards. This
city blacked out




Faced with such a mystery, the
victims of mass hallucination

the climax of the day. Every bell in the city
to destroy soft tissues, the skull
through metal netting

[They] entangled their legs
while striking a match to
The contours of the land

radiance. This radiance lit up




The orchard glimmers emerald, is pock-marked with dandelion clocks
And beneath an apple tree blossoming pink is a broken harpsichord, rotting
With its soundboard growing moss and its rusty strings writhing with maggots

A fawn plays the broken harpsichord at night while the orchard keepers are sleeping
Making broken noises for the other animals of the countryside
And when his hooves press on the shattered keys the dandelions make wishes for themselves
Releasing their feathered seedlings into the milk of the sky

The orchard keepers do not stir in their sheets, they do not hear the broken music
And when the morning comes slowly in orange, the fawn returns to the forest
And automated sprinklers pop out of the ground to feed the apple trees



Alone in the orchard
The broken harpsichord is a wooden carcass, soft and molding
With wind from the bruised mountains scattering petals all over it's velvet coverings


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Olivia Kennett is a warrior poet, visual artist and musician living in New Hampshire. She has worked as a production assistant, baker, and model. Now she makes most of her money peddling vitamins and wonder-cures to upper-middle class America. In her spare time she counts bones, picks apples, watches the water, and identifies birds. She has self-published three books of poetry — 24 Pygmy Poems, Cave of Fur, and Seeing the Glass Ball Grow Milky. She plans to continue writing and creating. You can purchase her poetry books and art at OliviaKennett.etsy.com. Her best friend is a dog named Ginkgo.