Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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IF Stone: An Iconic Radical Journalist
by Stephen Lendman

Born Isador Feinstein in 1907, his brother Louis said he changed his name at age 30 because "he didn't want to turn a reader off who might be anti-Semitic, right away, to avoid anti-Semitism in his work." Most people called him Izzy, and when he died in 1989, biographer DD Guttenplan said "he had (so) transformed (himself) from America's premiere radical journalist into a respectable icon of his profession" that all four major television networks announced his passing.

ABC's Peter Jennings called him "a journalist's journalist." The New York Times featured his death on its front page (usually reserved for the rich and powerful) in a Peter Flint obituary titled, "IF Stone, Iconoclast of Journalism, Is Dead at 81." A quintessential muckraker, he described him as "the independent, radical pamphleteer of American journalism hailed by his admirers for his scholarship, wit and lucidity" over a career spanning 67 years.

Flint quoted Stone saying, "I tried to bring the instincts of a scholar to the service of journalism; to take nothing for granted; to turn journalism into literature; to provide radical analysis with a conscientious concern for accuracy, and in studying the current scene to do my very best to preserve human values and free institutions." In the spirit of author Finley Peter Dunne (1867-1936), he "comfort(ed) the afflicted and afflict(ed) the comfortable," in a way few others matched or kept doing for so long.

In a 1987 interview, he deplored what he called the ascendancy of "right-wing kooks (and) the ugly spirit (of Reagan's not so subtle message that) you should go get yours and run." Late in life he learned classical Greek to be able to read untranslated works and write "The Trials of Socrates" after more than a decade of study. He criticized the accepted Plato view that he died for exhorting his fellow Athenians to be virtuous. According to Stone, he was seen as a security threat at a time Athenian democracy was imperiled.

In Izzy on Izzy, he called himself an "anachronism....an independent capitalist, the owner of my own enterprise, subject to neither mortgage or broker, factor or patron....standing alone, without organizational or party backing, beholden to no one but my good readers."

They were many, loyal, and included Ralph Nader who called him "the modern Tom Paine — as independent and incorruptible as they come (as) journalism's Gibraltar and its unwavering conscience."

Stone called himself "a newspaperman all my life," publishing a paper (the Progress) at age fourteen, working for a country weekly, and then as correspondent for two city dailies (the Haddonfield Press and Camden Courier-Post). Beginning as a high school sophomore, he did this into his third year of college (at the University of Pennsylvania), then quit because "the atmosphere of a college faculty repelled me." At the same time, he worked afternoons and evenings at the Philadelphia Inquirer "doing combination rewrite and copy desk (work), so I was already an experienced newpaperman making $40 a week — big pay in 1928." He did everything "except run a linotype machine."

In the 1920s as a teenager, he became radicalized, mostly from reading Jack London, Herbert Spencer, Peter Kropotkin (a noted Russian anarchist and early communism advocate), and Karl Marx. He joined the Socialist Party and was elected to its New Jersey State Committee "before I was old enough to vote." He did publicity for Norman Thomas (1894-1968) in the 1928 presidential campaign, but then "drifted away from left-wing politics because of the sectarianism of the left."

He also believed that party affiliation was incompatible with independent journalism, and he wanted to be "free to help the unjustly treated, to defend everyone's civil liberty, and to work for social reform without concern for leftist infighting."

Remembering them "with affection," he praised his employers for never forcing him to compromise his conscience, even as an anonymous editorial writer. From 1932-1939, that was his job for the Philadelphia Record and New York Post, both strongly pro-New Deal papers at the time. In 1940, he came to Washington as The Nation's editor and remained until his death, working as reporter and columnist for PM, the New York Star, New York Post and New York Compass.

In the 1950s, during the Cold War and McCarthy era, no daily paper (or The Nation) ran his byline, so when the Compass closed in 1952, he launched his own four-page IF Stone's Weekly in 1953 and wrote:

"Early Soviet novels used a vivid phrase, 'former people,' about the remnants of the dispossessed ruling class. On the inhospitable streets of Washington these days, your editor often feels like one of the 'former people.' "

Earlier from its 1946 inception until 1949, he was a regular on "Meet the Press," first on radio, then TV. No longer, nor was he seen again on national television for another eighteen years because his muckraking threatened the powerful.

It's never easy starting out on your own, but Stone succeeded by what he called "a piggy-back launching" from the PM, Star, and Compass mailing lists as well as people who had bought his books. From them, he got 5,000 subscribers at $5 each. During McCarthy's heyday, he got a second-class mailing permit, and was on his way after "working in Washington for 12 years as correspondent for a succession of liberal and radical papers."

Biographer Myra MacPherson (from All Governments Lie!) said he "went from a young iconoclast in the 1930s to an icon during the Vietnam War. In the fifties, he spoke to mere handfuls who dared surface to protest Cold War loyalty oaths and witch-hunts. A decade later, he spoke to half a million who massed for anti-Vietnam War rallies. He became world-famous."

Earlier, he supported Progressive Party nominee Henry Wallace in the 1948 presidential election campaign, civil liberties for everyone, including communists, and advocated for peace and co-existence with the Soviets. He fought the loyalty purge, FBI, House Un-American Activities Committee, Senator Pat McCarran's virulent anti-communism as Senate Judiciary Committee and Internal Security Subcommittee chairmen, and Joe McCarthy.

He wrote the first article against the Smith Act for its 1940 use against Trotskyites and other leftists with suspected subversive leanings.

His idea was to make the Weekly radical by providing information readers could check out on their own. He "tried to dig the truth out of hearings, official transcripts and government documents, and to be as accurate as possible." He wanted every issue to provide facts and opinions unavailable elsewhere in the press. He felt like "a guerilla warrior, swooping down in a surprise attack on a stuffy bureaucracy where it least expected independent inquiry."

Unlike beat reporters for major dailies or wire services, he was immune to the pressures they faced. He said Washington has lots of news. If information on some are blocked, go get others because "The bureaucracies put out so much that they cannot help letting the truth slip from the time to time." And by asking tough questions, a whole lot can be learned that as an independent can be published freely without fear of employer retribution.

It's why no bureaucracy likes independent journalism, especially radical muckrakers digging out the most sensitive material it wants suppressed. The fault Stone found with most newspapers wasn't the absence of dissent. It was the absence of real news, the timidity of journalists to write it, and the power owners held over them.

"Their main concern is advertising. The main interest of our society is merchandising. All the so-called communications industries are primarily concerned not with communications, but with selling." Most newspaper owners are businessmen, not journalists. "The news is something which fills spaces left over by advertisers."

Most publishers aren't just hostile to dissent, they suspect any opinions likely to antagonize readers, consumers, and mainly advertisers. As a result, most newspapers "stand for nothing. They carry prefabricated news, prefabricated opinion, and prefabricated cartoons." Even the best papers are timid. They don't question the Cold War, arms race, or stand up for civil liberties and the rule of law. Only a few "maverick" dailies are around making it "easy for a one-man four-page Washington paper to find news the others ignore, and of course opinion they would rarely express."

Journalism was a "crusade" for Stone. What Jefferson symbolized for him was being "rediscovered in a socialist society as a necessity for good government." During the height of the McCarthy era, he felt like a pariah but believed he stood for and was preserving the best of America's traditions. It inspired what he did to the end.

Continued...