Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Lyn Lifshin

Loss

a taunted wild thing,
claws out, poised
to leap for the most
vulnerable skin. It
lurks in shadows.
You can’t tame it.
Teeth of fire, your
heart in its cross fire,
any calm about to
be gulped whole




The Daughter I Won't Have

would curl as
close, closer than
the cat, afternoons
the wild plum
starts opening,
her shape, still a
part of me. It
seems she would
fit into the
hollows of my
body as she
once did. March
birds through the
shutters, mint tea
in a glass near
the bed, peeled
oranges, a freeze
frame where nothing
moves. Fragrant
skin, maple buds
opening. Still-
ness, her warm
blonde hair,
sun sweet, all
I’d need if
I had her




You Might Think I Needed to Talk to My Sister

that that was why
I kept seeing green-
eyed girls on the
metro, 17 years
older of course
than she'd be. You
might think I needed
to talk to her about
something our mother
said, strange, I wrote
"over" not "our"
though our "our" is
over. Sometimes
when the phone rings
and no one is
there imagine her
voice as I would a
shy lover. Her e-mail,
mine by chance,
glows, stapled in a
notebook. There are
no children to
link us, nothing that
braids us in a hair
wreath to the past. I
dial her phone for
her voice, knew
when I found her on
a horse blog it was
as close as we’d get


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Lyn LifshinLyn Lifshin's Another Woman Who Looks Like Me was published by Black Sparrow in 2006 and selected for the 2007 Paterson Award for Literary Excellence. Other recent books include Barbaro: Beyond Brokenness (Texas Review Press, 2008), Persephone (Red Hen, 2008) and 92 Rapple Drive (Coatalism Press, 2008). Her book Nutley Pond is forthcoming from Goose River Press, and Light at the End, the Jesus Poems is forthcoming from Hazmat Press. Her poems have appeared in most literary and poetry magazines and she is the subject of a film, Lyn Lifshin: Not Made of Glass, from Women Make Movies. Her web site is www.lynlifshin.com.