Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Anne McMillen

.

death is not beautiful, tragic, or romantic.
it is nothing more
than the period
at the end
of a sentence.




nerve ending, a junkie, and the gateway drug

scalding staples laced into the meat
of my
                             spine.
removed one
by
one.  metal falling into a metal bin

                        clink.
clink.  clink.
clink
                                    clink
                                                clink
clink clink clink clink.
                                                                   you see
                                                                   i've been cattle.
                                                                                             i don't need reassurance of
                                                                                             god's punishment and
morph-ine doesn't decrease pain just
                                      dissolves the
            difference,
physicality has no borders
when measured by the space of pain

which units of are counted in

white rooms, pain pumps, and iv's.
white ceilings became my friends
            their raised stucco
            was neurons connecting
            exchanging distress signals
            of anguish
            somewhere in those patterns
            i saw the future,
                         freedom
            in the sound of a pain pump's steady
                                     drip.

i was alone

aside from nurses
                                                                my family promised to bring me food
                                                   and didn't show up
                                                                so i didn't eat
                                                                                          and had to beg a janitor
                                                                                          for food
                                                                                          he bought me a package of oreos
                                                                              out of a vending machine with his own
                                                                                          money and we watched married
                                                                                          with children

                         not
                         to forget the entire occurrence
                         but in wanting to do so
                                    i kept coming back for more
                                                             palliative endings that blow open the doors
                                                 to an eternity of self-defeat
where
                         death's distance is measured in
                         mil-i-grams.




dismembered body from mind

recount the sheepish seconds, a chance to relive momentary misery
             long enough to thank god it's over.

ax hammer
jaw breaker
             of expectation,
virgin purity only created sheer boredom.

             zebra in zealots clothes
             where what you pay for is what you get.

                                                 and there is nothing like converting
                                                              someone.  teaching them how and why
                                                              by
                                                              example.
                       lesbians in training.
                                                              if i promise anything it's that
                                     i'm gonna make you
me.

                       a preprogrammed circuitry of
                                               a brought up indoctrination plan. that's right, it's right there,
                       sown up tight and passing a peach pit from the cavity.

                                                              like um young 'cause
                                                                          girls just wanna have fun.
                                    physical excess,
                       thin vials of dissatisfaction
                       sticking
                       in your
                       ribs.

                       love?
                       or
                       gasm.
                                    suck it in,
                                    suck it in,
                                    suck it up.
                                                            learn how to take what you get,
                                                                         then
                                                                         to like it.  never forget
                                                                                     to
                                                                                     smile.


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Anne McMillen has been published in Open Wide and Kagablog and featured in Deep Cleveland Poetry. She wrote a column for The Hold. Her local police department has blocked her calls.

The three poems on this page are excerpted from her first-full length book of poems, Monolith, which will be published in 2010 by Unlikely Books.



Comments (closed)

Carla120956
2009-09-05 20:04:36

Beautiful, painful, raw. It's life.