Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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The MILF-Change
Part 6

"Well," Rog says, much later, "that was fucking weird."

They are in the Expedition, poking along in rush hour traffic on South Flagler Drive. Once Rog switches to Dixie, and then Belvedere and 95, things should open up.

There's no hurry. The main work is done. The action scenes, the facial, all the stills. After dropping Wally home Rog will return to his little studio and create a rough cut. He prefers to do this by himself, and Wally trusts him. Then he'll post it for Wally to view late tonight, Wally will make his suggestions, and Rog will color correct and add music and put the master on Lazlo's FTP server. On time.

"Weird," Rog says again.

"Yeh well..." Wally is no longer drunk or high. He just feels strange. Depleted, yet so restless he fumbles his words. "Made deadline, don't we?"

"And it doesn't bother you," Rog says, "that this bitch might get pregnant?"

"No. I don't — I still don't get what you mean on that."

With patronizing patience, Rog explains. How holding her legs in the air was a foolish attempt to help Wally's sperm travel deeper, find purchase.

"Well why should I mind?" He means to be light but something chimes in his voice, and his eyes are throbbing. She loves me, he thinks. OK, that's stupid. But she kissed him, stroked his face. She made him come in her. She thanked God for him, prayed to God through him. "In a way it's cool, kind of." He's breathless. Confusion flits like a fly in his chest. "Flattering."

"Oh yeah...you'll be flattered when you have to pay child support."

"So. I got money." He imagines himself writing a check every month. Who do you make it out to? The mother or the kid? "For my kid...I'll pay."

"Wally Junior?" Rog smirks.

"I'm the last Wally," Wally says curtly. "The name would be...Well, whatever his mom wants." He wonders where you find a list of baby names. Then he realizes with a jolt that he'll never see his baby. So he'll make Roger pull a screen shot of Shane for him. He can look at it every day, and imagine the face of his child, who he's now certain will be a girl.

"Well," Rog says, "she was a freak. She was wild with you. Great facial!"

Wally knows they did it but hardly remembers it. "She gave you what you needed."

"Uh, not really." For the first time in hours, they laugh together. "What you paid her, she should have done us both."

"My first child payment." Another laugh. "And now, her other daughter's got this great pair of shoes. I wonder..." The thought gets away from him. "Sorry man. Next time."

"Aaah, she was almost ugly anyway..." Rog talks, but Wally no longer hears him. He hears a gasp, not her gasp when he came over her face (she was silent), no his gasp when he tried to pull out and she held him and he shuddered and spent inside her. That was the moment of change, but not in her; she already knew what she was doing. It was Wally's moment, and Wally's change, and Wally who will never be the same. He's fine with that. But he wishes he understood the reason.


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Can the sleaziest among us—even Wally the MILF Chaser—experience an epiphany? Tim Millas thinks so. Tim lives in New York and Florida. His fiction has been published in Adirondack Review, Amarillo Bay, Cause & Effect, Confrontation, Conte, Eclectica, Exquisite Corpse, Fiction Warehouse, and writethis.com. This is his second story to appear in Unlikely 2.0.