Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Kerryn Potgieter

...we call this the sign of omission.

Emitting rust from my sin diode 
lock jawed and horny 
I committed sins of emission 
all over the page 
and your blue dress 
patch-worked with pretty violences. 

I bit your rapid butter mouth 
in random red 
sequences.
Peeled heavy black leeches 
from the sheets 
with my small white teeth 
and worshipped the lesions. 

There is a bright sharded tunnel 
in my tongue 
to eternity.
I have fallen through.




A Study of Volume

I've explored the dry red folds of regret
with a tongue furrowed,
cracked and resentful.
I've been round in dreams
of bent green rubber and muttering.

I had stopped scratching blue words into your grain.
You are not a blue word lost in my throat anymore.
I am not even a word anymore.
You are stolen with me
and we have mouths of heavy rain.

Since we spent that night,
sold our time in it
emptied our words and our sex in it
I have been spent too
flaccid, empty and husky.
Sold into
selling out.
Since we spent that night
I have been empty too
and you, you have been full...
of shit.




Gender Issues

I think some of the time and 
the rest of it I just 
cogitate, these 
are not one 
and the same thing.
 
I'm finally realising I'm just 
another neurotic female 
another silly 
bitch in hysterics 
I hadn't meant to turn
out quite this way. I intended 
to have more 
substance. Instead 
I have only managed a mere 
subsistence—phonetically 
not so far off, but 
practically not even comparable. 
Not that I was ever able to 
manage my substances
much, mind you, mainly 
just abuse them.
 
Only thing worse than 
dealing with 
highly strung women 
is being one.


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Kerryn Potgieter lives in Jo'burg, South Africa [she reads and types, (reads and types) ] and can be contacted at kerryn AT anemonejack DOT com.