Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Felino Soriano

Painters' Exhalations 206: After Richard Estell's Japanese Maple

Her scarlet cloth
adorning hair freshly bathed,
a rain traditional,
pro-bono occurrence, rinsing
after fog's lowered hands have
pulled back the cloudiness of
hibernating clouds, shifting openness
into the private, intimate milieu
required to conduct such
a physical endeavor.

A neighborhood of slants. Of a silken
skin. A contoured bridge
forms itself where birds alive in rejoicing
never reveal the malice intent
of talons' sometimes
necessary need.

This is earth, the beautiful. The undefined
by man's need for green voices, a green
of greed voice, a greed in the hiding
sophistry contaminating the thoughtless,
with cunning abbreviations of why this
tree should exist, untainted.




Painters' Exhalations 207: after Arthur Beecher Carles' Abstraction

Abstraction, a term of disillusion.

Abstraction
                          an interpretation
                                                                 mis
-under
-stood
within
                          an ear's occurrence
                                                                              blending
altered shapes, (shapes of a different arrival)
collapsing onto an eye

creating
                          semblance
of a definitional
                                        want to mend, sew
the missing thread
                                        of actual existence,
but positioned beyond the fingers'
immediate

                          mediocre
touch.




Painters' Exhalations 208: after Norman Bluhm's Untitled

Blood,
                          bright as a light's body
lying still atop a stained-glass
depiction
                          dressing walls
of a church's silence, opaque to onlookers, silent against
their own listening.

                                        Whose body,
broken, a living stem
stung
                          into a limping
stroll
             to
destinations
                                        now
unsure,
                     travels
                                        can maintain energy
to complete the burgeon
of the mind's explicit
                                                                 want?

Above the drool of dripping blood,
a flock of trees
serenades
                                        the lying still.

Hymnal in color,
voices, a calm lake
detached
                          from the shadow carving
shapes

conjured after their body has left
contaminated, unremitting mirrors.


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Felino SorianoFelino Soriano (California) is a case manager working with developmentally and physically disabled adults. He is the editor of the online journal, Counterexample Poetics, which focuses on International interpretations of experimental, philosophical, post-postmodern, and avant-garde poetry, art, and photography. He is the author of five chapbooks and e-books, including Among the Interrogated (BlazeVOX [books], 2008) Feeling Through Mirages (Shadow Archer Press, 2008) and Calling Toward Clarity (Chippens Press, 2009). He also has a mini-chapbook forthcoming from Wheelhouse Magazine. The internal collocation of philosophical studies with classic and avant-garde jazz explains his poetic stimulation. Website: FelinoSoriano.com