Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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I want to be hip
Part 3

Alright, so be it, arise. Find a roof to climb up on, stand, arms flung high, and screech —— yes, let the sound bounce off empyrean, that dear old thing —— Year is the lover. Day the lover, the hour. Love begets, lover draws nigh. Dammit, drop reason. Time's droll. Every event inexorable, finally futile. Thought swirling in circles like a dead leaf. Losing savour, then lost, forgettable. Metaphors have the appearance of something stood too long in the sun, infinitives split right down the middle, the way trees are when their time is done. Driftwood on a river in spate —— and the person still on the roof —— broken, naked, disintegrating, doomed.

And I dream I walk on water.

Superimpositions arrive in eddies colliding and shattering and the flow rapid and muddy. Endtime, endgame, everywhere whispering, a hiss from behind: Someone slouching towards Bethlehem, post-avant garde ectoplasm. Also suspected a likelihood of surreptious uncoupling. All the coaches of all the trains that ever were on the rails and everyone with everything somehow inside, rumbling across plateau and ravine, unhooking, each car from the neighbour, one by one, precisely at the same time everywhere, finally engines chugging alone on the rails. Constituents dropping, what engine to speak of in the nowhere.

And suppose that picture is painted on a wall, hope and strategy the scenery left behind in passing because the picture is already painted. When in a temple the worshipper comes short before the shrine, the sanctum retains the look as she turns furtively, one more time, one more glance, before leaving, door open, tread heavy with the dreadful realization that image exists, impossible to imagine what does not. There is commerce of fictions in fiction!

No escape from image, a shape seen is. Hemped in and corroborated, the image retains the look, heaves a sigh, in imagination, of complicity. A buzz going around that is confidentially advising each and every of a universal cuckolding. It goes like this: No fucking place to go so get off the treadmill of endless. Expand into nothing. Exertion of trying en masse. They're shooting stuff straight in the vein and sipping ayahuasca tea besides —— what can happen that is not supposed to!

Images sucking, squeaky bog where whatever is thought puts up a head, like the new ones which appear on the demon everytime the previous existing is decapitated until the Goddess gets in and stops the whole show with the pressure of her magna mater single toe on the chest of the self-replicating, head producing, dreadful and raucous assemblage. Armies are also imagined arising from the teeth of a superhero brought low, rooted in the ground to be seed for a harvest.


Swing a spider, draw the thread from within long and shiny, swing into a precinct of magic, calm the thread, stay connected to the web in case things take a turn for the worst. So she now imagines a spider.


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