Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Sleep Tickles
Part 4

And I'm telling you, she was about to slip. She was gonna blurt everything, I could feel it. I was sitting just like I am now. You know, legs crossed at the ankle, not too much, medium smirk. I was drinking coffee, just watching her. I was holding back, that's what I'm saying. And that's the part that kills me. I know that bitch! She's dying to tell me! She just can't bring herself to spit it out! Actually that's the part that excites me. I can admit it. Like everywhere else, the women here are inveterate liars. But here it's like they won't let up! No matter what, the charade must go on! Listen, by the time I'm done here, I'll tell you, I'm gonna write the damn book on these sluts! I was sitting there—whatever—nodding, small-talk, and like an epiphany, it was as if she could suddenly see the irony, she could see me steeped in it, Buddha-style, and that I could go on smirking for a thousand years if need be, spending money, fucking the shit out of her, and still never doubting it for a second! After all, what do we know about real girls? That's why it was there on the tip of her tongue. Guys like us, we have an instinct with whores because it's a symbiosis. They need us like we need them, and that's the part she couldn't admit. So instead, at the last minute, it's some lame bit about how she's had another boyfriend all this while. That she feels terrible for lying to me. And I suppose I'm playing for headway, but in my mind I'm like: Oh come on! A boyfriend! Try twenty, you bitch! Fifty! And that's even beside the point!

I was down on the mattress, eating cold noodles, watching Malaysian Strike Force on the VCD . . . Like with Benoit rambling, I was only halfway into it, halfway listening, because it was a scene I'd been through dozens of times . . .The big showdown. The main cop vs. the Japanese bad guy. They were wearing hyperbaric suits, facing off in an air-sealed chamber flooding with poisonous gas . . . As with most Chinese action pics, there was a lot of eye-popping wirework involved, some hair-raising near-misses with those little combat knives . . . Meanwhile, Benoit had worked himself into a lather. He'd leapt out of the chair and begun to pace around the room. He was spastic, muttering to himself, thumbing through my sketchbook, through my paperbacks and comics littered on the desk, quickly tossing them aside . . .

You know, and that's the irony! Tell one of these cunts you're in love and she wants to laugh in your face. On the other hand, whenever she deigns to say it, you feel forced to take it seriously in spite of yourself. No, the irony is that even here, all these girls willing to go at the drop of a hat, at the slightest whiff of a dollar, and yet still, secretly, pretending to themselves that it's some sort of spiritual journey. And don't act like you can't see what I'm talking about either. You can't name it any more than I can, but you can feel that Shangri-la, that something out there and it's the same reason all these chicks can't satisfy themselves working as waitresses. And you'd be in a better position to help me play this thing out if you weren't still stuck on what's-her-name . . . I mean how long are you going to stay cooped up here as if it's the end of the world? Listen, give me one way that she was any different from the rest and I'll leave you alone about it. Just one—but you can't! So what's holding you back? The memory of what could have been? Look, didn't you say that bitch could barely speak a word of English! Come on, what were you going to do, learn Chinese? What, settle down? Meet her family? Yeah, you're laughing, because it sounds just as bad to you! Which is exactly what I'm saying, pal, fuck that shit!


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