Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Jay Passer

Days of Pessimism, Nights of Angst

Vanilla bean and bright cleaning products
Acid scorch hood of the sedan

Flatline sparring partner
Prepare for night-silent tyranny of longing

Temple desecrated
Mosque demolished

Forget the little holy sites

House emptied of cats and mangoes
Song and dance of morons on tightropes
Pangs overripe for genies in bottles

Tinted orange specs
Cracked at 6 a.m.




Cheaper than a Video Game

hand it over, the man said, donned scuba mask
give it here, she mouthed through the ball gag
I'll take it, crocodile against glass, lion agro
check out the new meat, the fresh blood, the spider
it's brewing, a storm, churning, like ice-salt in a barrel
I hit the mat, then the ropes, while machines wail
evermore, the guitar, escalator underground
dreaming gabardine suit, crosstop necktie, train risen
don't stop for just anyone, espresso pulled, a five spot
gimme the goods, the creature snarls, from celluloid
comb back, button up, unzip me please, Broadway
over the coals, he confides, that's what they do to us
never saw it coming, at gunpoint, electric chair, taxes
behind bars, down below, a desert isle, the pit of hell
it simply became increasingly difficult
gasping for breath from day to day




6 Shot, Side Elysian

hot for a change at Golden Gardens
the fire pit roasting aria of schooners
on the southern side of the street
cool air-conditioned poison lounge at Golden City
Dragon Lady sloshing around the navel
painted on the smoke a riverboat jamboree
juke wailing Dance with me twirl
a girl around pinky cowboy muzzle

fireworks define fatherhood of nations
slaughtering daily blessings at breakfast
dreams at a premium, bowl cracked hibiscus
blue with need she's emergent from liquid forest
licking wounds, lost but for the stripes
impaled upon handheld bayonets
zebra in medical scrubs

sparks descend from on high
progeny of stars

for the traffic lights and aluminum
squeal of insecticide


Jay PasserJay Passer's work has appeared in print and online for 24 years. Themes of anarchy, delirium, antiestablishment ethos and bawdy street survival all cast lots in the spectrum of his vision. A new chapbook, At the End of the Street, from Corrupt Press, is due out in late 2012, while Only Human By Definition, his most recent collection, is currently available from Crisis Chronicles Press.



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