Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by John Sokol

Waltzing Mephisto

If you do it right, he won't even notice.
His mind is always on his dance card.

When he takes your hand, turn your cheek
to his false lightness, his perfumed breath,

his glistening teeth. Step into the darkness,
then step back. Eventually, he'll insist

you look him in the eye and laugh
at all his jokes. And you must, of course.

But cross your fingers behind his back.
Acquiesce to his charm and dips

with a shaker of salt.
When he spins you to the edge

of the small dance floor, don't look down
into the pit you'll notice there.

That's his ego. It has no bottom.
When he thinks he has you wrapped around

your own crossed fingers
he'll invite you to dinner. Smile,

thank him for the offer, and tell him
there's regret and sorrow enough, but not tomorrow.




Stoned in the Woods

What's that swaying in the sumac;
that humming in the sassafras?
Are those chickadees, twittering
in the thicket, or are these trees
just glad to see us?
Look at all those bees—too stoned to sting,
too bombed to buzz—distilling pollen
from all that butterfly weed.

When those dragonflies near the pond
are comatose, we'll use cattail reeds
as straws, and snort nectar from hyacinths
like hopped-up hummingbirds.
At dusk, we'll sober up with the bees
over by the vetch and the sneezeweed.
Afterwards, we'll be so hungry, we'll want
to eat trees; so remember those blackberries
near the carved-up beech, the blueberries
in the meadow.

And don't worry!
When twilight gets the blues and Luna glows
like a silver sun, we'll sell that moonshine
and put all our honey in memory banks
so we'll have something to live on
after this day and these sweet dreams
and this paradise have all gone to pot.


John Sokol writes and paints in Akron, Ohio. His paintings and drawings are included in many public and private collections. His poems have appeared in America, Antigonish Review, The Berkeley Poetry Review, Georgetown Review, New Millennium Writings, The New York Quarterly, and Quarterly West, among others. His short stories have appeared in Akros, Descant, Mindscapes, The Pittsburgh Quarterly and other journals. His chapbook, Kissing the Bees, won the 1999 Redgreene Press Chapbook Competition. In the Summer of Cancer, a full collection of his poetry, and The Problem with Relativity (short stories) are his latest books.



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