Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Alia Vancrown

Harmony

Poverty is the cacophony of a street carnival:

caged pigeons for sale
whose freedom my mother purchased
from slaves,

skeletal donkeys in mid air
braying against the pain
of overloaded, wooden carts,

that fat, bearded jackass of an imam
on the loudspeaker, who,
five times a day, loves to hear himself,


             (Do you know how much warm blood the Azaan
             can feast on, that arresting
             glossolalia turned carrion from canary?)


bright kites of all colors
the only rising architecture
that stitches heaven's cobalt maw,

the dead whale shark that washed
ashore, dozens of Karachi dockworkers
standing upon its unbreathing belly,

and all my senses can focus on
is the scum in the seawater,
my sorrowful grandfather chanting

We
are all of us
Allah.




Monostich to My Lineage

You fly me like a kite on a day the wind is dying.




As All the World Burns

:


This time, a monsoon. The death toll nears 400.
Women and children's bodies learn new rhythms:
lifelessness, sinking, bobbing, bloating.
A man mistakes a goat that repeatedly laps
the muddy banks for a cow that still clings to life.
The body's largeness is deceiving.
He thinks of the near past, of milk and cheese
before the animal's last wail
pierces his imagination back to stiff legs and pried-open-eyes.

:


The body's mind is misleading. The death toll surges past 800.
The printing press, the Internet, the tape recorders, the cameras
can't see enough. Can't be as subjective as the eye

that opens
or closes:

Those people all deserve it.
All those fucking Muzzies and terrorists.
If the USA sends one penny of aid I'll quit being an American.
It's a lesson from their own God, about goddamn time.
Do those Osamas and Saddams even believe in Noah?

:


Oh, they believe.
With eyes pried open, they believe.

:


And as all the world burns
a butterfly lands before me.
Perfectly proportioned body,
orange wings that
open blue
close yellow
open green . . .

It takes a disproportionate amount of effort
not to protectively cup the thing in my palms and kill it.


Alia VancrownAlia Vancrown was born December 1, 1987. Granddaughter of U.N. diplomat and poet, Saiyed Mazhar Hussain, descendant of poets Azhar Hussain and Athar Hussain, award-winning screenwriter Abrar Alvi, and dramatist Razia Farhat, daughter of Asif and Aisha Hussain, Alia Vancrown writes with the torch that is her ancestors' undying legacy. She was first published at the age of 17 and nominated for the Pushcart Prize at 18. After completing high school, she ran off to Chicago, Illinois from Sparta, New Jersey to pursue Poetry and Love. Alia Vancrown currently resides in the suburbs of Chicago with fellow poet, M. André Vancrown.



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