Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Manifests by Petra Whiteley

Manifest 9

body – restructured as a book of dis-ease,
             pushed away, silent bombs – letters
crawling through the mouth, blackwards.
An army  of be            this or
                                 that
                                        pounding
pain, preening itself. A
                                    crow on the tower of heads, plucking
a mass
of cyanide          against polyrhythmic whispers, pages to
                                unread to body's greatest strength –
a switch point, a shiver
                                    on cold horizons
and sex.




Manifest 6

Death,
 I used to cling
to the bed of your bleached
teeth, wanting
to negate the resemblance
of the teeth in the being within.
Wanting to sculpt plush pillow
locket for my tiredness, its
empty sound echoing like sweet
night music.

     Death,
my dream's clock is set in
future, where I still look for it,
aping the spiral walk of my waking
hours,
where I think
 I have let go of my hoping.




Manifest 10

I was born of a simple word:
Die. Now I am
flowing through the river of black
roses and sticky dust. Silence is rotting
at the edges of my tongue. Strange
birds are rising on horizon, pushing
forth a thin, broken Sun,
it's belly is full of lies, but how shimmering
they are! Falling down on the stairs with small
tickling sounds. I see their sanity,
I see their dark God at the end of it. I see
that beautiful absence of His Light shading
His lethargic body,
He is never going to move, except the suffocating
rain from His dreadful eyes down to each and every
flesh, to all corners of bones, swallowing their softness.
He was born of a simple word:
Live.


Petra WhiteleyPetra Whiteley was born in Czech Republic but England has been her home since 1993. She writes poetry, fiction and non-fiction which appeared in many webzines (i.e. Apt, Danse Macabre, ditch, The Recusant, Weirdyear). She was a regular writer for the Glasgow Review, Eleutheria and Osprey. Her poetry and literary criticism also appeared in print magazines (i.e. The Plebian Rag, Essence). Petra's reviews of CDs and interviews with musicians regularly appear in Reflections of Darkness. Her poetry collections are The Nomad's Trail (Ettrick Forest Press, 2008), The Moulding Of Seers (Shadow Archer Press, 2009), Exhibition Of Defined Moments (erbacce-press, 2011) and The Liquid Metropolis (erbacce-press, 2012).



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