Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by John Grey

Becoming

That's not wind,
it's the trees breathing.
Behind the mist,
even fallen branches
fill their lungs.
It's morning,
her hair gentle in my face.
Eyes scan slowly,
heart fills in for all I might miss.
I examine the tremble of her lips.
Such gravitas a single breath bestows.

She wakes
and light is equal to the task.
The dark gets out from under,
is exposed by deepening glances.
Beyond the window, the forest,
someone will achieve more than I.
But who will peel apart
the hardness of the world so easily?

Touch is such a sweet vocation
but with an engaging fingertip,
I make it art.
In waxen light,
emotions seek out physical reminders.
That's not regret,
it's the rippling stammer of a lake,
the shredding pillow of a cloud.
That's not remonstrance,
it's merely birdsong
seeking out its mate.

Her face widens, skin sweetens,
body murmurs, refutes the sleepy council
of her sheets.
Who but me
can catch her in the act of her becoming?




Dissatisfaction

It's when what I yearn for
is superseded by what I have.
I'm longing for something
that came to me years before.
I'm out on the porch
hand in hand with her,
watching that bronze patina
of a sunset,
another long fulfilled requirement,
and how easily her fingers
feel it into me,
every drop of orange,
every gleam of red.
It's when I conclude that
more than enough is still not enough,
that what I have,
I want to be without
and then have over again.
She kisses me on the cheek,
as if to say here it is once more.
I haven't the heart to tell her
it was there already.
I need it gone and lost.
And yet, I still want her
to be the one to find it.


John Grey is an Australian born poet, works as financial systems analyst. Recently published in International Poetry Review, Chrysalis and the horror anthology, What Fears Become with work upcoming in Potomac Review, Sanskrit and Osiris.



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