Red Herring Leather Boots: ‘Gabriella Versacci’
for JoXXX XXXwart
(i)
(174, 175, 176)
Gabriella Versacci was making spaghetti
in the grasp of patriarchal capitalism
when a sharp rap
made her
△ jump △
the thirty-three year old
“housewife”
in the ten years since
since she & her partner
had ▽ landed ▽
had always been in
great demand
------------------------------------------------------
suddenly
the car seemed to lose
power,
the headlamps
flickered
& cut out
... metaphor for creative processes #840 ...
then the engine splut tered (/t3:d/)
& fell silent
but when the Mini came to a stop
a metallic hand came down on her
left shoulder
made Gabriella face
her assailant,
gibbering
&
- one word -
crashed
Roswell, New Mexico
around
her fainting brain:
“ROBOT”
(ii)
(176, 177)
she finds
herself
in a circular
room
strapped
naked
except for
her red
herring
leather
boots
to a table
& wonders
who has undressed
her
single malt whisky
wrists bound to the table
spread-eagled legs bound to the table
ankles bound to the table
while the robot
stands inactive
by a blank
wall
... metaphor for P.S. #564(a) ...
(iii)
(176, 178)
noticing her
frequent glances
toward the
metal Mickey man
one of the
beings
with numerous, disappointing
typos
& persistent
grammatical & other errors
says
that it is a
trained device
that does
all the manual
work, merely a
non-thinking intelligence
that is programmed
for certain tasks
... metaphor for P.S. #564(b) ...
---
a thin pencil-
like probe
prods
& a large black
//
rubber suction device
is used on the area
fifty-one
around her groin
(iii)
(178, 179)
it
Mickey?
lifts
the end
of the blanket
from the bottom
& stares at
her
hairs, long & black
body
there is no visible
emotion
in its
______
its
______
boring
into her
she struggles
with her bonds
i) of patriarchal femininity
ii) of iron y
she pulls
& she bucks
& she XXXXXX at her moorings
she tries to scream
“bit.ly/2rKvW1q”
she tries to cry
she tries to vomit
but can’t, it is
no
good
& she remains tethered
(cf.: un-ditto, 3.2,
I know you are
reading me(,) over)
to her social
the altar
the table
& then it places
the lotion
in the basket
(&) a small
pin on
her thigh & Gabriella
immediately
stops struggling
interpellated ✓
interpolated ✗
you
think in the words
that I taught
you
and my profit on’t
is, I know how
to curse
(iv)
(179)
the
pin device
causes
paralysis, numbing:
she feels no pain
I am quite sure
Porphyria Gabriella feels
no pain
but it climbs
slowly
on to the bottom
of the bed
“Oh my God,” she
thinks, “XX XX raping
XX”.
she feels
→ its every move
she feels
→ sick at its cold
→ alien touch
her partner
her daughters
her sick friend in
→ Wellington
→ (q.v.)
what would they “ ”
→ of this
→ she?
(v)
(179)
when it
finishes
it slowly
climbs
back off
she is not
→ aware
of it having
had an
...
emission
...
but it
is not beyond
possibility
that
she might
↙ ↘
rust become
pregnant
↓
will the
child be an
alien
?
how
will she
tell
↙ ↓ ↘
her the more
partner Registrar generally
of Births,
Deaths &
Marriages
---
(CODING: DSM-5 297.1, FREQUENT SPOUSAL VIOLENCE IN, V.
DOI: 10.9734/INDJ/2016/22583; “WARNING, WILL ROBINSON!
WARNING!”)
Works cited
Nagaitis, Carl & Phillip Mantle. (1994). Without Consent: A Comprehensive Study of Missing Time and Abduction Phenomena in the United Kingdom. Poynton, Ches.: Ringpull Press.

Clay Thistleton has previously appeared at Unlikely Stories as a character in John Bryan's epic Love has been Liquidated. Clay has taught creative writing and literary studies in universities, community colleges and not-for-profit organisations for almost two decades. He is the author of Noisesome Ghosts (Blart Books, 2018): an Elgin Award nominated collection of found poetry that investigates the phenomenon of ghosts and poltergeists that have the ability to speak or write. His current project, Never Mind the Saucers (Stranger Press, forthcoming), examines documented instances of alien-human sexual contact. Along with his son Dylan, Clay lives in New South Wales, Australia with a fluctuating number of feral cats.


