"Backhanded," "Keep Repeating," and "Rear view"
Backhanded
Yet another purse owned
by the many now plundered,
they scrape what is left
with fingers stained with
blood and lint, another
excuse preached through
a sermon of semantics,
to the point where we question
the point of retaliation.
And from that castle turret,
which overlooks the crumbling
red brick walls, the litter
covered pavements
that gleam in this sun,
like stained glass windows,
yet another outcome
of folly, passing as informed
decisions.
And when the final lie
rolls from their overworked
mouths, spouting off the cuff
pedantry masquerading
as patriotism, a final slip
of the tongue leaves
them now without cover,
exposing them to the point
where they are now ours for the taking.
Keep Repeating
It leaks from cupboard
doors and from unopened
wage slips, the drips penetrate
each surface, but slowly,
like diluted acid; a slow burn
that turns to acceptance,
once damage is done.
As always, it is sold to us
in dregs, and of course,
it’s always for our own good..
Any complaint is left to sink
and disintegrate, the fragments
and residue ingrained into
the teeth of their smiles.
The same outcome each time,
a demanding of gratefulness,
gifts of spinal columns wrapped
in torn five-pound notes,
which if returned, they hand
back to their predecessors,
and again stating it’s just
all in a day’s work.
Rear view
A blast of a broken sky,
that never truly illuminates
this field enough to cut through
the gloom. A cold breeze
offering a backdraft
against knuckles on handlebars,
frostbite without the chance
of defrosting; a loss of limbs,
a small price for an inverted
cause that never reaches
an end.
The echoes of lost mentors
now strangled against underpass
walls, now too old and faded,
their lessons now superfluous
against the current backdrop;
and of course, the one being
lectured can always do better,
a time and place languishing
gently against their own
failings.
And the same crowd gathers,
at the feet of this path,
who walk the same frayed
tightrope. It’s obvious now,
that with age comes the fear
of capture, and succumbing
to a blatant idleness,
which masks itself as discipline,
yet only appears as smugness.
Jonathan Butcher is a poet based in Sheffield, England. He has had work appear in various print and online publications including, The Morning Star, Mad Swirl, Drunk Monkeys, The Transnational, The Abyss, Cajun Mutt Press and others. His fourth chapbook, Turpentine, was published by Alien Buddha Press. He is also the editor of online poetry journal Fixator Press. Jonathan recommends The UK Motor Neurone Disease Association (MNDA).