Geoffrey is without Grace

Grace had decided it was time to go. Mere existence held no appeal. She and Geoffrey had discussed ‘the end’ many times and despaired at society’s obsession with longevity. As they sat drinking coffee outside cafes, they watched ancients on walking frames grimly shuffling their way to the chemist for more of whatever was keeping them alive.

They got the ‘fear of the unknown’ thing but could never really understand why more people just didn’t say ‘Damn this for a joke.’ Except you couldn’t. Guns not handy these days, razor blades messy for whoever found you, chemists making sure you couldn’t stockpile your potions, and just as likely to fall of the chair before you could manage to hang yourself. And, of course, the nanny state forbade such crimes against humanity unless doctors said your case was hopeless and you’d already been in agony long enough to deserve an early minute.

So Grace and Geoffrey had agreed. Whoever decided first that they had had enough would help the other one. And the Devil take the hindmost became their wry catchcry.

‘The tomatoes are just about finished’, Geoffrey said, starting their checklist. ‘The birds can have what’s left.’

‘I’ve taken the screen off the top of the fish-pond’, Grace said. ‘The bin-chickens can have a banquet.”

‘Old Charles at No. 7 will take the chickens’, he said

‘You’ll take Arfer with you, won’t you?’, she asked. He reached down into Arfer’s basket and stroked the rise and fall of the German Shepherd’s belly. He nodded in his wife’s direction. They knew Arfer would pine for Grace once she was gone.

‘I’m ready’, she said. ‘Do you have everything organised for the continuing adventures of Geoffrey.’

‘Yes.’

Grace looked at her drink.

‘Are you sure there’s enough? I want to go now. No mistakes.’

He recalled bringing back the pentobarbital from his last trip to the States and the frisson of feeling like an international drug smuggler.

Geoffrey nodded so she raised her shot glass and swallowed.

‘Before I go,’ she said, ‘when did you decide that you loved me?’

‘When I told you about the cow and my mother and you said, ‘Perhaps you could have given her a flute. It would have matched her pursed lips nicely’.

Mirth played on their ageing faces as the sun set over The Farm, and over their journey together, for the last time. Geoffrey waited, to be sure, and then slipped out the back gate to the laneway that he’d used when he came home that day.

 

Geoffrey had moved to the sparsely populated country town after Grace’s death ended the only worthwhile conversation left in his universe. All he craved was silence and isolation. His modest savings stretched to a small, solidly built weatherboard cottage and he’d calculated that he had enough to last. He had his castle; his solitude was his keep.

He would write, grow vegetables, chop wood and read until his silence became permanent. He would keep his social interactions to the minimum required to meet the necessities of existence but not meet the social contract to exchange meaningless drivel while he was doing so. No TV and no radio and no newspapers meant that he would be aware of Armageddon when it reached his doorstep.

He withdrew cash for his needs at the ATM. He had no computer and no email address, so most of the world had no idea he existed, let alone how to invade, and steal, his time and space.

He hoped the postal service would tarry through his remaining years, providing the conduit for his writing to reach the ever-diminishing audience for such anachronistic pursuits. Yes, he would continue to ‘speak’ but on his own terms. All mail except bills and publishers letters would be marked ‘Return to Sender’.

Geoffrey’s only form of human entertainment these days was Julie, who delivered the mail. Well, not so much Julie herself but her reports of the cavalcade of rumours about him that circulated throughout the town.

Each weekday he’d meet her at the letterbox. Most days there was no actual mail but she would pretend to rummage through her pannier bags for show. You never knew who might be watching.

Their ‘relationship’ began shortly after he moved in to the cottage, with its rambling over-grown garden and mature, if neglected, fruit trees. He was in the process of hacking away mercilessly at a jasmine vine that threatened to engulf two of the only four windows in the cottage and create darkness at noon.

‘That was Mrs. Carmody’s pride and joy once. Loved the smell.’ He looked up to see an orange-vested woman astride a low-powered motorcycle, stuffing junk mail into his letterbox. ‘My name’s Julie. What else are you going to do to the place?’ She waited briefly and then filled Geoffrey’s silence with ‘Mrs. Delaney reckons you’re going to gut the place and tizzy it all up.’ Geoffrey turned back to his hatchet job on the jasmine and she rode off. Thus began a comfortable, if eccentric, exchange between Geoffrey’s silence and the speculations that Julie carried in her bags.

One morning, Geoffrey woke from a coma-like sleep, brought on by unfamiliar exercise, to the sound of insistent knocking. Threading his arms into his dressing gown, he girded his loins to see off his intrusive neighbour. Flinging the door open, he found the space filled by a uniformed presence with sergeant stripes on his shirt and a gun on his hip.

‘Morning. Thought I’d drop by and introduce myself.’ The face had a professional smile but the eyes said otherwise. ‘Sergeant Bill Stynes.’ Geoffrey waited.

Stynes said ‘And you would be?’

Geoffrey produced a notepad and wrote his name on it.

‘Some people in the town have expressed concerns’ he shouted, until Geoffrey pointed to his ears and gave a thumbs up sign and then in a normal voice ‘.. about your welfare and asked me to look in on you.’

Geoffrey wrote ‘I’m fine.’

‘Thirsty work, policing. Any chance of a cup of tea?’

Geoffrey shook his head.

Stynes heel-and-toed his sturdy leather shoes and the smallest of smirks appeared in the corner of his mouth.

‘See you around, Geoffrey.’

A non-committal Geoffrey closed the door.

After watching Stynes depart, Geoffrey headed outside to attend to his nascent veg patch. He knew enough to know that the spring soil, having not long come off winter, was still too cold for planting. Besides, he wanted to dig in some manure and compost to the depleted ground. And there was still the fence to repair to keep out the roos and the rabbits.

He was breaking up some hardened topsoil with a mattock when he heard Julie’s approach and went to the letterbox. ‘Hear that the Sarge dropped in. What’d he want?’ Silence. ‘Kevin, that’s my husband, thought it was probably just an outstanding speeding fine.’ Silence. ‘Be good to see the garden tidied up. Mrs. Carmody would like that.’ And she rode off.

Over time, the town exhausted all the possibilities that interested them and bored indifference settled around Geoffrey. He’d been relegated to a ‘character’ and that suited him just fine.

 

Geoffrey opened the door after a sharp, urgent rap. Two rumpled suits with unknotted ties waved badges in his general direction. ‘Geoffrey Arthur Goodman, I am Detective Inspector Thomas and this is Detective Sergeant Willis. I am arresting you on suspicion of the murder of Grace Anne Goodman on or about February 17 last year. You do not have to say anything …’

Geoffrey knew the rest and he didn’t plan on saying anything at all.

Later, in the interview room, Thomas leaned back in his chair and said wearily. “For the benefit of the tape, Mr. Goodman has waived his right to have a lawyer present. Why’d you do it, Geoffrey? Was she having it off with someone else? That would set me off. Wouldn’t it set you off, Detective Sergeant Willis?’

‘It would indeed.’ Willis responded.

Silence.

‘Geoffrey, if there’s anything you’d like to say, go ahead.’ Thomas offered.

Silence.

‘I suppose you want to know how we know it was murder. Don’t you, Geoffrey?’

Silence.

‘You see, we were never convinced it was suicide. No terminal illness. No history of depression. So we started looking at your business trips before you retired. And we tracked down your source in San Francisco. So, you can keep calling it suicide, Geoffrey, and claiming you don’t know where she got the drug if you like. But we’re going to call it murder.’

Silence.

Thomas said ‘In my experience, it’s better in the long run to just get it off your chest. Because of your age, you’ll do time in an open prison and you’ll be out in five years. What do you say?’

Silence.

‘Alright, tell us again what happened.’

Geoffrey wrote ‘It’s all in my original statement.’

‘Did you attempt to revive her?’

Geoffrey pointed to what he’d just written. He knew they were bluffing; they had no information on his source. He’d found a way to get the drug she needed and he’d found a plausible reason not to be around when she took it. Thomas and Willis were on a mission to make someone pay for having the temerity to end their days as they chose. With Grace dead, Geoffrey was the logical scapegoat but they needed a confession.

Later that night, Geoffrey was released on bail. As he was leaving the Police station, Thomas snarled ‘I know you did it, Geoffrey, and I’m not letting this go. So stick that up your silence.’

After that, Geoffrey no longer appeared at the letterbox. Julie knew why. That two-pot screamer of a copper had put the accusation around at the pub.

When the smell from old Mrs. Carmody’s cottage became unmistakable, Julie finished her round and rode to the Police station to tell them. As she left, she looked the Sergeant in the eye and said, ‘Happy now?’

 

 

Doug Jacquier

Doug Jacquier writes from the Fleurieu Peninsula in South Australia. His work has been published in Australia, the US, the UK, Canada, New Zealand and India. He blogs at Six Crooked Highways and is the editor of the humour site, Witcraft. Doug recommends Médecins Sans Frontières.

 

Edited for Unlikely by Jonathan Penton, Editor-in-Chief
Last revised on Thursday, August 22, 2024 - 21:06