"It's Been My Death Since I Was Born" and "God Is Good And Tiny And New (maybe)"
It’s Been My Death Since I Was Born
Please don’t listen
to my face, it’s
rarely if ever
eloquent
grimace for delight
smile for choking
tears for wisdom
I can’t translate
content for defeat
sneer for desire
blank for thought
but can hear your
concern
plainly
my laughter
reads as
mouth on barrel
razor hovering
rope to beam
one foot off
the ledge
On many days
you might be
right, just not
today
My body the
more reliable
narration
still for anxiety
bent for struggle
flail for distress
shudder for fear
curled for mourning
hidden for dangerous
especially to life
My throat holds
all the evidence
you could ask
The only answer
my face holds
will be in its
disappearance
God Is Good And Tiny And New (maybe)
but not completely God was there No matter What we didn’t The burden Their recompense Their wrath Their dismay Their resignation |
omniscient before Ashem them/us anew their congregations other than our prayers too many questioned caring warped we |
Paulie Lipman is a loud Jewish/Queer/ poet/performer/novelist. He is also the composer behind the 80’s horror movie inspired darksynth project, Hobb’s End. His poetry has appeared in Button Poetry, Write About Now, The Emerson Review, Drunk In A Midnight Choir, Voicemail Poems, pressure gauge, Protimluv (Czech Republic) and Prisma: Zeitblatt Fur Text & Sprache (Germany). Their poetry collections 'from below/denied the light' and 'sad bastard soundtrack' are available from Swimming With Elephants Publications. Check out paulielipman.com. Paulie recommends the Audre Lorde Project.