"Madman Above the City," "My Mind Stripped Bare by Its Absence, Uneven," and "Criminological"
Madman Above the City
Somehow
this conquering king
still needs to feel an infusion of power
from a desperate populace crawling to his feet
as he summons subjects
just to call upon his judgment
but before he can change this conversation
let me reveal
how our mad titan doesn’t bring direct destruction:
he contents himself with selecting
what he wants to survive while ignoring
carved rock diverging from one vision,
never smashing statues
while preferring to polish only a pretty few,
like a posh prince or a ship of dreams
as he lets decay lay waste to the rest
so he can’t be accused of taking his hammer
to a museum’s sculptures
with no stone dust on his pants or shirt…
in fact,
his hands have never borne a speck of dirt;
how else can he always mistake his reflection
for vision of an eastern sun so gloriously risen?
My Mind Stripped Bare, Uneven
No truth,
no answer,
explanation,
or closure:
-Learn to write S I L E N C E slowly in the void.
-Letters become swarming wasps
waging war around your head
in a place
where you’re forced to stand still.
a balanced mind on a ping-pong table is a symbol for “repeat this phrase forever”
but
a player returning a serve by screaming has a chance of moving forward
filling empty space and taking its shape so well
the vacuum regains its vacancy
as hollow containers implode.
Fairies rising from fading photos,
show a way inside…
though I’ve impaled them with pins
like butterflies in a frame;
I don’t think the pictures are real anymore
if they ever were
and I don’t believe their reality
if I ever did.
The stages of loss become
- You miss what was there
- You miss being able
to remember what you saw - You feel like nothing ever stood in that spot
- Even if you know something has
Me [filled with determination]: Push through the asteroids and airless distance, past the edge of your universe, to a planet filled with stuffed animals that feel warm to the touch...
Also Me [fearing vulnerability]: …But keep your spacesuit on as you hold them, in case they’re animated by lethal radiation…
…now I’m floating in suspension, far above the world…
Criminological
Eventually
the main reason people turn to crime
as a way of life
won’t be financial opportunity,
for the most part,
the anxious thrill
of evading capture,
or the freedom in living past the rules
of normal society;
the main thing
that’ll make people
commit to criminal groups
will be a longing for the privacy
and bonding
only available
while working in secret,
the way that lifestyle
forces every interaction
under the radar
into the realm
of in-person meetings,
face-to-face
in parks, parking lots
or the droning noise of a laundromat,
like mafia movies
with a deeper sense of community
than what’s found in legally omniscient
telecommunications
that are as traceable as they are accessible,
unlimited, though rooted in cold distance,
and with an immaterial quality that’s freeing
and formless in equal measure.
Paul Edward Costa is a writer, spoken word artist, teacher, and the 2019-2021 Poet Laureate for the City of Mississauga. He has featured at many poetry reading series in the Greater Toronto Area and has published over 60 poems and stories in literary journals such as Bewildering Stories, Lucent Dreaming Magazine, Former People Journal, POST-, and the Gyroscope Review. His first full length book of poetry The Long Train of Chaos was published by Kung Fu Treachery Press.