"The Manifestation of Mel Gibson" and "This Is The Place"
The Manifestation of Mel Gibson
In the dream, I am somewhere far west
California lit by endless neon motel and burger joint advertisements and the flicker of high streetlamps
Smell of tar and fire, I am walking by the side of the highway: with no shoes on, wrapped in a sheet like a 1970s toga party or a hungover Roman emperor
The desert air is hot even in the soft blue darkness, steaming and evaporating off the road like water from an ocean leaving behind bits of salt and foam
Every car that passes me by stains my robe further, it’s a shade of former whiteness by now
Then it’s full dark and a car pulls up beside me, not just any car but THE car: the black 1979 Ford Falcon police interceptor and it’s being driven by Mel Gibson
The car has its own strange body odor and there are liquor bottles shattered and emptied in the back seat along with several overflowing ashtrays
His mullet is silver, like iron and it moves like something alive and separate from his deep Aussie tan, old man face full of perfect teeth
His one hand on the steering wheel appears to be caked in dried blood from an unknown wound, the alcoholic’s stigmata: I know this
“Hey you” he says in that way of his
His is the voice that drove the Highlanders, the American Revolution and poor Danny Glover into their respective death charges
I stop walking
“Jewboy, hey you there”
I pause and quietly say, “excuse me?”
“You don’t fool me jewboy” says Mel Gibson
Then slightly softer and glancing in the mirror as if impatient, “you want a ride?”
He revs the engine and over the hill behind us I hear the faint sound of sirens
“Well do you want a ride or not?” he says pushing open the passenger door, the charred bits of what I know was a human skull sliding out onto the highway
I’m hesitating but it is obvious and he knows it
“To ride or not to ride?” he says to me, grinning and then, “I was Hamlet once” and I wonder if he means he was “IN” Hamlet once or something else
It’s not my Hebraic nature that I know he’s claiming to recognize, no it’s that other thing: that goodnight-sweet-prince ethanol thing
He has eyes like a silent film star who isn’t used to talking, red thunder flashes in them like an endangered species calculating its chances
He’s looking into mine now, it’s like being hypnotized by some leathery Dracula in a wifebeater
In the trunk of the car I know there will be pieces of the one true cross and there is a flock of crows overhead that keeps in constant communication with him, America is burning before us and he recognizes what I am
I always wake up then, knowing that I chose, that I will choose: to ride
This Is The Place
This is the street where they shot the rabid dog
The man (veterinarian, animal control or scientist: I’m not sure) wore black kevlar like riot police
Because he didn’t want to get bitten
It didn’t even try
This is the place in the dust where the dog fell in a spray of toxic foam and gun-smoke
This is the balcony I watched from, it was hot that day and the sunlight bounced off the metal railings
He had a shotgun, he loaded two fat red shells into it from a distance after getting out of his truck when he realized the dog would not approach him
I don’t live in that apartment anymore
It actually didn’t bite anyone and if a rabid creature can be said to have learned to live with and accommodate its curse, it seemed like he might have been the one to do it
The other man, the one driving the white pickup truck covered in rust
He got out a stretcher to carry off the body but didn’t help put it in the back because he wasn’t wearing gloves or even a surgical mask
They carried off the body, to study the brain (which also is why they shot him in the heart not the head, for science)
I watched from here though my eyes were watering from dryness and noon
The whole event, when it finally happened (prompted no doubt by panicked phone calls of all the people in my neighborhood feeling like they were under siege and hiding in their homes) only took a few minutes and then it was over
We don’t know where the dog came from
There were no other rabid animals that summer or that year
He just appeared, red eyed and snarling one day with brown matted fur
Out of some distant place
This is the spot, the spot in the dust
A spatter of saliva, after the truck had left in a plume of dirt (no clouds that day) evaporated contagious like sea-foam
It took 3 minutes, I counted
This is the place at the edge of the town, where the forest begins and where the mad dog stumbled out of that morning
He just stood there for a few hours at the barrier as if contemplating his disease or perhaps the forest
We don’t go in there very much
I watched him the entire time, sometimes he would sway on his feet as if pushed by some wind unknown to those of us who have never had hydrophobia
There are no rivers here to protect us
And I tried to tell them: this is the place
This is the place
Where the animal escaped
And sometimes I spend afternoons on my new balcony a few blocks away
Watching the forest with my binoculars
This is the place
Where he went down
And this is the place
Where he appeared
I am the only one watching the forest (this is how it begins, the first symptoms)
And no one remembers but me
Nate Maxson is a writer and performance artist. The author of several collections of poetry, he lives in Albuquerque, New Mexico.