"tree of after," "lawfully forgotten," and "date with dystopia"
tree of after
i still see the alternate universe
branching off in which she lives
on impact, i’m a different person
deserving to drink ant-filled water
please know under my tire you are
worth every word i can’t muster
every uncoupled body part strewn
across the street i can’t identify
what time my last memory registered
let’s just call it a nightmare and
fall asleep with all the lights on
our first fight and you don’t even
call me a murderer but you could
and i wouldn’t deny you the win
mark of cain staining every
unscarred segment of skin
will you visit me where i live
now in hell? from the stories
people tell you’d think there’d
at least be a dive bar downtown
where i could drink myself into
feeling fomo over my own funeral
but alas, the lonely leaves me
lawless enough to drag you down
with me, say, let’s walk along
the lake of fire hand in hand
at sunset tacky twinkle lights
remind us the stars’ combustion
doesn’t really go away every day
but eventually there is a tick tick
boom caused by no one
in particular and i will spend
the rest of this jetset suspension
wide awake in widow-making flames
deathly jealous of that empty space
lawfully forgotten
where is the marriage muzzle when you need it most?
coast to coast nihilist in search of midnight missives
gypsy rings carved out of tree bark, don’t be sorry
for never being what your mother wanted, the ospreys
are here now, the hard part is over, thrown bored-eyed
to the bridal party—it’s been seven itching years now
since i left someone at the altar, so karma’s calling
to make an offer: golf ball sized hail on your grand
mother’s veil or a shot of whiskey in your coffee
because jilting still reminds you of filet mignon ordered
by drive-thru, a disorientation of expectation waiting
like, is everyone else watching my life in widescreen
but me? the short answer is no, they’re not watching
at all. only you care enough to stand naked among
unfinished flower arrangements, pulling out baby’s
breath because you promised no overlap between
this and that soon-to-be stranger
date with dystopia
he picks me up
in sheet plastic
bouquet of broken
prophylactics
only one sense in which
the meal is happy and
it isn’t ever after
through plexiglass
my winston/D-503
tells me no matter
about the cancer
back alley mishaps
gone septic surrender
you have child bearing
hips of the mind
no surprise we hide
out high and drunk
lone non-activist pastime
late capitalist procrastinators
can manage without manically
checking work calendars
on apps first patented
for jacking it
i’m a 7 at best
but when hot wet and
trashed in handcuffs
back me up against
the brutes of the lineup
i want to be brainwashed
invasive interrogation
dirty enough coercion
allegations actually stick
you think i’m kidding
but watch me hit that
post-apocalyptic
poster child of delinquence
when i lucid dream
you’re always in it
and i always win you
a blizzard on a string
and watch the world end
but just barely
like yes of course
what else is there?
what else could there be?
Dylan Krieger is writing the apocalypse in real time in south Louisiana. She earned her BA in English and philosophy from the University of Notre Dame and her MFA in creative writing from LSU. She is the author of Giving Godhead (Delete, 2017), Dreamland Trash (Saint Julian, 2018), No Ledge Left to Love (Ping Pong, 2018), The Mother Wart (Vegetarian Alcoholic, 2019), Metamortuary (Nine Mile, 2020), Soft-Focus Slaughterhouse (11:11, 2021), and Hideous Compass (Underground Books, 2022). Find her at www.dylankrieger.com. Dylan recommends donating to the National Abortion Federation to preserve bodily autonomy and access to medical care for all human beings.