"Where a Dark Bird Flourishes," "The Pretense of a Conclusion," and "Half Truths"
Where a Dark Bird Flourishes
Do we vanish as something heavy into deep waters?
—Dante
Tell us though
of unquestioning apartheid,
of segregation,
of that being-according-to-what-you-are-not
and of how-you-may-be-defined,
of that herding together of bodies to make a collective,
of creating order out of chaos
(with its virtues of Pandora and
the fanciful miniatures of Eden),
or, of—fancy that—a singular rib tickling us into fallibility.
What is the cusp of the discussion, then?
Is it to press ahead into new life, as Socrates said,
to leave aside ambition with the memory of previous labors?
Or, is it to take the predator’s stare
and turn it back upon ourselves?
The Pretense of a Conclusion
To strive, to seek, to find
and [never] to yield.
—Tennyson
Argument Z.
M i r r o r s of what
we don’t yet see,
a desire to
know, like being
present at
your own birth, and then—
the primordial muscle
lodged in your throat
that tells you
to be in time, or to be
in space, or—better,
to be
in both
at the same time.
Argument Y.
Hallucinations pro-
jecting into
a future, yet
somehow sensing
the prickle
of an inherent paradox,
the je-ne-sais-quoi
of a liquid state—
questions conjured up
in a nest of foul spirits.
Argument X.
Did we believe
what we were told?
or, did we assume
there was a sub-
versive subplot
of pastiches, of
colorful catalogues
and fancy parodies,
where the place
of everything
was actually
in its antipodes?
Argument W.
Is that why we
scorned those
wandering
pedagogues even
when eternity
surrounded
every single
quivering note?
Half Truths
Read between the lines
with your nefarious mind.
Grammar isn’t
what it’s cracked up to be.
Look deep, stare, gawk.
Don’t hold your breath,
there’s something underlying all this.
Stop. Underscore.
A road half-traveled less
than more. Use it to reach
a pivotal performance.
Get your paycheck. The fallacy
of believing, therefore,
to be better, to be generous-
minded, right here
where all experience
performs, fishing for the
real American dream.
Oh, you so misunderstand.
Marc Vincenz is a poet, translator, editor, fiction writer, musician and artist. He has published over 40 books of fiction, poetry and translation. His recent books are The King of Prussia is Drunk on Stars, The Mayfly Codex, Rocketship to the Andromeda Galaxy, and Three Telltale Love Signs. Forthcoming poetry collections are Ironclad (Spuyten Duyvil, 2025), Spells for the Wicked (Unlikely Books, 2025), and No More Animal Poems (White Pine, 2026). Forthcoming translations are Still Some Light in the House and Selected Prose Poems, both by Klaus Merz, and Country of Small Men by Ernst Halter, all translated from the German. Marc is also editor-publisher of MadHat Press and publisher of New American Writing.