"Solum, Patron Saint of Wallflowers," "Medius, Patron Saint of Uncertainty," and "Cito, Patron Saint of the Too Soon Dead"
Solum, Patron Saint Of Wallflowers
The worst dilemma is
to both envy and fear
the dance
To admire all
the fluidity and know
that your fits and starts
would only trouble the water
slap worthless against the waves
never graceful or moving, this
is the difference between swimming
and drowning
Wallflowers
are more anchor
than ballast
that’s why we
have a hard time
with any kind of grace
The iron has
set too far
into our veins
But when the
ships set to sea
deft and majestic
and leave us inelegant
and landlocked
we are weightless
we become our own
and each others
solace
we are the horizon
we are the shoreline
we are lighthouse
we are signal fire
we true north
we luminaria
left behind
to move fearless
in the moonlight
and dance
infinite
Medius, Patron Saint Of Uncertainty
I’m sorry
I can’t be
as honest
as your face
chin down
mouth fraught
eyes that won’t
let the light in
and I strangely
have no words
In this time
as in every
we are all
terrified
only begotten
children locked
in the same room
all our hurt
laying atop
each others
simply
drawing breath
with no perception
how the next
may come
I, as you
am afflicted
with this doubt
and only able
to offer up the
palest of shelter
thin and unsure
built from a notion
ancient but rendered
bizarre from misuse:
That whatever
will alleviate this
must be built
and learned from
each other, but
more than anything
we must never
allow it to be
unkind
That is
the only thing
we can ever
be sure of
Cito, Patron Saint Of The Too Soon Dead
Lord
spare us
your candles
as their light
means nothing
this vigil is
a travesty and
I will no longer
keep it
How does
one shepherd
the damned?
Phantoms
confused and
left to wander
between plains
dazed and
bitter
And Lord
I can’t blame them
as the last fraction
of hope in their
throats burns acrid
in mine as well
How can I console
these indigent when
all I have to offer
is the ash of so
many charred
time lines
too short
fuses
never
allowed
to
blaze
fully
I see no plan
no justice in
any of this
and I no longer
accept the ineffable
your most convenient
excuse, clearly you
were never a child
For if you were
you would find
more delight
in what you
have created
You are no
kind of parent
as you have
never raised
your children
only demanded
their discipline
And when
they disobey
and more so
when they have
done nothing at all
you strike them
with the greatest
of lashes and take
away the only gift
you ever saw fit to
give them before
they have had
a chance to
enjoy it
I can no longer
participate in this
See me as a failure
but you should
be used to that
I cannot assure
these souls that
there was a reason
for their untimely
end as I know you
didn’t have one
I leave you
to bear their
anguished howls
of renouncement
while I will see
to celebrating the
lives of these
abandoned children
bolster their still
living family
with hymns
to sing and music
to dance in the liturgy
of their young’s
passing
let all the
tribute fall
upon the
departed
and take
no salutation
This is
what you do
when you
love someone
Paulie Lipman is a loud Jewish/Queer/ poet/performer/novelist. He is also the composer behind the 80’s horror movie inspired darksynth project, Hobb’s End. His poetry has appeared in Button Poetry, Write About Now, The Emerson Review, Drunk In A Midnight Choir, Voicemail Poems, pressure gauge, Protimluv (Czech Republic) and Prisma: Zeitblatt Fur Text & Sprache (Germany). Their poetry collections 'from below/denied the light' and 'sad bastard soundtrack' are available from Swimming With Elephants Publications. Check out paulielipman.com. Paulie recommends the Audre Lorde Project.