Anthem
A winter storm has crossed the low mountains to the south and it pries into my bones and assaults my knee in dull, throbbing pulses. It came in with charcoal clouds and raking thunder and hammering torrents of rain, and here in the interrogation room, the monotonous dripping of water falls to the rhythm of a ticking clock. It splashes unseen and pervasive over mold-slicked corners and along with the pain, it resurrects memories of patrols and battles and times when we did not play games with our enemies, times when we solved problems with machetes and hammers, a match to a roof or an emptied ammunition clip. The stink of mildew and rot is everywhere and at any moment, I expect to hear the grunts of howler monkeys and the crack of falling branches. I can almost feel the crush of leaves under my boots and relive the dread of stepping in the wrong place or missing the sniper in the trees.
Up in the guardhouse, the thunder vibrated the coffee on my desk but in the basement where I am, a gnawing stillness lingers. It coils around the flesh and it maneuvers and constricts across my aching limbs. The room stinks of cigarettes and nervous perspiration, and Arcelio has been ranting about tying the ricachón’s hands behind his back, lifting him off his feet by the wrists and leaving him there until his shoulders tear from the sockets.
He does not know what he is talking about but things can turn dangerous when the silence becomes heavy and I am thankful we have been told to separate the indio and the ricachón for it gives us something to do. The command is another useless ploy for our nation could be attacked again at any moment and we do not have time to coddle irrelevancies or contemplate lies from traitors. But I cannot disobey. After all, our informant has had three weeks to accomplish his mission and he has failed — as I always knew he would — and at precisely nine o’clock, I gather the other guards to do what our superiors have ordered.
We mount stairs and pass empty rooms and it is difficult to hear anything besides the storm’s distant turmoil. We continue to march though and soon the walls resonate with the tap-tap-tapping of our batons and a frantic hush consumes everything before us. The murmurs that once bounced like ricocheting bullets stall and I picture the inmates scrambling to hide, their bodies trembling, their hearts roaring in panic. This too is a ritual and we want them to cower at the slightest reverberant noise, to pray to the fissure of soiled light streaming beneath their doors and we want them to experience the same terror they relish, the same fear they have caused.
The entire section must pay for the indio’s failure and at the creak of unlocking gates and the thud of our boots, appeals for mercy fill the air. We open their cells one by one and at every turn of a key, the forlorn supplications climb and seep into one another. The inmates squint into the hard glare of the light and attempt to cover their faces. They shrink and huddle under their bunks. They grovel in corners and they howl when they are dragged into the open. Within seconds, I am unable to separate the curt shrieks from the labored wails as they implore and promise in ever-rising desperation. They declare both their innocence and their guilt. They denounce each other and attempt to scamper away like frightened dogs. It does not matter, for none of them will escape and the batons swing until the impact of wood against flesh and the smack of tissue slammed into concrete devour the calls for mercy. It continues from one end of the hall to the other and once there is no one left conscious, no one left to sob, I tap on the indio’s door and whisper his name.
J. Paul Ross is a graduate of Metropolitan State University of Denver and a Pushcart Prize and Best of the Net nominee. His fiction has appeared in numerous online and in print magazines and journals including, 34 Orchard, The Antioch Review, The Bacopa Literary Review and Fiction International. Currently, he is working on a novel set along the Pan-American Highway. J. Paul recommends Amnesty International.