Anthem
“Did you get that?” I ask.
Arcelio glances up from the floor. “What?”
“Did you get that?”
He hesitates, grimacing and nibbling his lip. “Yes,” he finally sputters. “The Vargas plantation outside Champerico. She’s been there for at least seven weeks.”
I can barely hear him over the sobs and I wave to the body on the bloodstained concrete.
“We’re done,” I say. “Take him to the guardhouse so he can sign the confession.”
Arcelio continues to stand there. He is pale and I sigh and pat his shoulder.
“Don’t let this bother you,” I tell him. “This was his choice. He could’ve talked earlier but he didn’t. How long have we been at this and how many different answers has he given? A dozen? Two dozen? No. This was the only way and you heard him; he admitted his daughter’s a terrorist and he’s a traitor. This had to be done and because of it, we’ve probably saved lives. These animals are relentless and merciless and they are absolutely committed to killing us. Me. You. Your parents. Your beloved caspianas. Trust me; I know them. And up in Champerico, his daughter could be doing anything: planning a kidnaping or another attack, building a bomb or perhaps something worse.”
He nods slowly and, fumbling with the handcuffs, he begins to drag the old man from the room. The ricachón begs to stay however; he shouts and weeps and he tries to crawl to me with useless promises flowing from his lips. It is pathetic and Arcelio curses and strikes the fat, pampered body. He repeatedly swings his baton and he turns the pleas to groans and mingles the blubbering tears with dripping blood. He then hauls the criminal down the corridor and soon the only things left are the scrapes of dragging feet and the occasional grunt of a distant kick.
The noises are almost pleasant ones to me for they mean our young Arcelio is learning. He is learning how every terrorist and subversive must be punished. It does not matter if they are seven months or seventy years old. He is learning that treason and indifference are the same thing and he is learning that every citizen must be a patriot in order for our gran república to survive. There are no half-measures in this war and that is why I stand every day and wait for our himno nacional to ring throughout these halls of concrete and stone. I will always take a deep breath and clench my jaw, and I will always maintain my stance until the very last verse has ended, the very last note has faded into the air. The throbbing in my knee, the tremble of my leg, these are things that must be endured because our nation deserves — indeed, it requires — nothing less. And so I lift my chin and level my shoulders. I ignore the stench of burnt flesh and the blood and tears on my boots. I ignore the monotonous drip of water oozing from the shadowed corners and as our anthem’s proud call swallows her unconscious whimpers, I ignore the ricachón’s granddaughter in the iron chair and raise my hand in a crisp salute.
"Anthem" was originally published in La Revista Literaria Centroamericana.
J. Paul Ross is a graduate of Metropolitan State University of Denver and a Pushcart Prize and Best of the Net nominee. His fiction has appeared in numerous online and in print magazines and journals including, 34 Orchard, The Antioch Review, The Bacopa Literary Review and Fiction International. Currently, he is working on a novel set along the Pan-American Highway. J. Paul recommends Amnesty International.