Of this Momentum Song (one through three)
Of this Momentum Song (one)
—to why beginning brought us
“Breathe, first”, we said, “the
dead would want us to”. Dead,
not discarded, scent
stands in for evaporated
bodies,
their bending bends to acclimation
of dancing silent absence. Remember,
we must know of absence
in
the space of language, tongue
as rope, rope as what builds
but never frays, the language
breathes
into us, a freedom unlatches,
we watch what comes through.
Breathing then is theme: exhaled
patterns the dead prayed before us… we
find
how hands held us: hidden bones,
mouth and age of feet, scaly
stones decorating this path—
bridge
to here and elsewhere, bridge for
there and the unsolicited nowhere. We
travel to understand: sound as trumpet,
feet as drum, this duality of bodied
talk
leads and misleads, the chaos is
voicing a paragraph of interrogat-
ing self-expressing music. We
continue,
contemplate themes and voodoos,
fountains’ waters evaporating
cold as clarity’s winter on our skin,
vocal
as noon calling toward the
listeners oscillating warmth
and what gathered in advance—
drift
to what sees and misremembers
what hears and draws occultation
against eye and stumbling
theories
our language as music, as more music
than discarded chords not the dead
they
are here breathing thin as string, un
-buttoning this hour of
our beginning motive to
occupy
our splitting silhouettes
finding groove in
velocity’s purpose
Of this Momentum Song (two)
—fragments of this early morning carry
Usurp, fingers gather shadow,
scent, blood and rhythm
of your mirror, algorithm
assumption
in secret. Each throat a bracketed
hall, strong, privileged living, watching
of
the crow carve name.
And balance. Craved silence
to ruminate
each
contouring misery, each
system’s velocity across
vacant mass and its
linear
truncation. Born here you
were wanted, wanting more from
a strange recluse, gold section
of the maker’s tongue
spoke
of love :a sadness made you.
Distance makes their now
a hollow bone shows space
where
once hands made
lyric to hide
your name within
its prose. Un
-broken you now
hold with strong
hands what could
not
hold in grasp or melody.
Pitchy steps pattern folly,
voices’ swirl engage
the
new beginning, as with
this morning of hallowed
rediscovery
Of this momentum song (three)
—aggregated plan in stages
i.
We, us, our
meeting, designed to
reflect person as personal
drum reflection:
hear
that mention (we can
soliloquy later— back
turned) of rhythm off
the tongue, rhythm
as
performance as guide
and glue, composition
memo hung to ourselves
how to recall position…
expanse
memory—
ii
don’t fatigue, this needs
you,
you and hands, as hands
and song, a song toward
tongue disjointed
and
conjoining harmonies
sustained (we can solo
later, tongue-in/up
fabricated science)
anyone
can witness silence, pretend to
know the portended,
confirm this pleasure
is
mobile and memory:
recall our meeting’s allegorical
birth?—
iii.
reach: perfumed forehead
guides you, —and the thirst
weighed well into a fist
breaking bones while you
throat
it… recall the sequence?:
each earth resembled us
moved our limbs our tongues our
drums—
we need to move
or, what chases will
hold will bend us
back to stagnant
rotations
our plan, remember
is to move and never
revert: drums are
away
let’s
gather—
Felino A. Soriano was awarded the 2017 erbacce-prize for poetry. His writings appear in CHURN, BlazeVOX, 3:AM Magazine, The National Poetry Review, Small Po[r]tions, and elsewhere. His books of poetry include A Searching for Full Body Syllables: fragmented olio (2017), Aging within these syllables (2017), Acclimated Recollections (2017), and Vocal Apparitions: New & Selected Poems: 2012 – 2016 (2016).
Visit Of the poetry this jazz portends for more information.