Alan Sondheim
Alan Sondheim is a new media artist, musician, writer, and performer concerned with issues of virtuality, and the stake that the real worldhas in the virtual. His virtual work is known for its highly complex and mobile architectures. He is one of the originators of "codework." He has used altered motion-capture technology extensively for examining and creating new lexicons of behavior. His work deals with crisis and inadequacy. His texts, music, and images are at http://www.alansondheim.org and his Youtube videos are at https://www.youtube.com/user/asondheim/videos
Headless poor unting nut nut not pooh unch nut headless nodding
pooch unning and pool unch the headless nut poot ut poon ut nut nut
nut nut nut nut nut nut nut nut do that now immediate pook ot no
no no spoo ace.!? Punk no poop unk poo unk poom unk poof unk poohah
o corrosion of coriolas
o cauterization of victrolas and cylinders and disks
of the uncanny silence of lands and lakes
o the noisy skies, jewls of the viscous depths
o kupu, hanasu, mourning
Krachan wake up read a nice Joyce. KRAKEN Wake up. rejoice. Keret KENWAKEUPREADGOYCE.
At this point in the convo finnigan aka FINNEGOOM went back to sleep. Slooming into the sweet gloomish oobloovioom.
a limited domain is inscribed with or without fuzzy boundaries. domains may be limited in sememe, space, and/or time. example: everglades bounded by hydrology, ecosystem. for example (below): everglades younger than writing, than human inscription.
{ The analogic is the dirty little secret of the digital. The analog is abject, tawdry, sleazy, as-if and nothing more. The fissured body is a wound sutured in silence or resulting in death. The digital is an application upon the body of the analogic. The digital functions as a gate against the analogic. The digital is the enclave of the rich; the finer the raster, the richer the enclave. }
