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Paintings and Images, May 2025

by Jamie Chiarello

'The Center Cannot Hold', Oil on panel, 8" x 10", 2025
'How we Become and Unbecome', Oil on Yupo paper, 9" x 12", 2021
'What the Shoreline Was', Oil on Yupo paper, 5" x 7", 2024
'What Happens in Quiet', Oil on arches paper, 9" x 12", 2024. (Painted at the studio of Saskia Ozols)
'George in the New Year', Oil on panel, 18" x 24", 2024
'Drawing at the Blue Easel Club', 9" x 12", graphite on paper, 2024. (Drawn at the studio of Carol Peebles)
Cardboard sign about 15 minute portraits
street portrait of a child in charcoal
street portrait of Kendric Perkins (Historian, historic new orleans collection) charcoal
set up drawing on the street
Set up with my paintings

My work is a response to the repetitive pull I feel to look again. I'm fascinated by and in love with what is not entirely knowable. Because of this, I try to know as much as I can. While I have not done formal training through a university, I am deeply influenced by classical figurative art traditions. I continually study through workshops with contemporary artists and a lot of books. I hold a weekly figure drawing group in New Orleans where we continue the tradition of studying from a live model. This offers opportunity to practice anatomy, proportion and how light creates form. The other half the time I'm working is very much the opposite approach- I sit down without a reference or any plan of what will happen and I make marks and then pull images from there. For me going back and forth within this duality- between imagination and observation- is where I find a sort of balance.

I grew up in Virginia, lived briefly in New York City and settled in New Orleans in 2004. Since then I have also shared and sold my work on the streets of the French Quarter, for many years on Pirates Alley and currently in Jackson Square. I am deeply inspired by people watching and watching the waves of humanity pass me by while I am set up. Currently I offer 15 minute portrait studies- this allows me the freedom to draw whatever occurs in the moment and not have to feel forced to produce a 'good product'.  New Orleans is one of the only places I have seen it possible to exist as a working class artist. As long as I can continue doing my work, I am content. I pretty much always want to discuss what it's like to be alive so please come find me one day on Jackson Square!

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Mark Folse (not verified)

Sat, 05/24/2025 - 1:42pm
LOVE image number one but I'm retired from work and so too broke to my heart. maybe if I win the lottery cuz it would look nice next to my other.
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