Skip to main content

  • Home
  • Content
    • Poetry
    • Fiction
    • Non-Fiction
    • Criticism
    • Visual Art
    • Movies
  • Creators
  • Archives
    • Unlikely Stories Mark V
    • Unlikely Stories Episode IV
    • Unlikely 2.0
    • Unlikely Stories
  • Books
  • Submissions
  • Tips
  • Subscribe

Paintings and Images, May 2025

by Jamie Chiarello

'The Center Cannot Hold', Oil on panel, 8" x 10", 2025
'How we Become and Unbecome', Oil on Yupo paper, 9" x 12", 2021
'What the Shoreline Was', Oil on Yupo paper, 5" x 7", 2024
'What Happens in Quiet', Oil on arches paper, 9" x 12", 2024. (Painted at the studio of Saskia Ozols)
'George in the New Year', Oil on panel, 18" x 24", 2024
'Drawing at the Blue Easel Club', 9" x 12", graphite on paper, 2024. (Drawn at the studio of Carol Peebles)
Cardboard sign about 15 minute portraits
street portrait of a child in charcoal
street portrait of Kendric Perkins (Historian, historic new orleans collection) charcoal
set up drawing on the street
Set up with my paintings

My work is a response to the repetitive pull I feel to look again. I'm fascinated by and in love with what is not entirely knowable. Because of this, I try to know as much as I can. While I have not done formal training through a university, I am deeply influenced by classical figurative art traditions. I continually study through workshops with contemporary artists and a lot of books. I hold a weekly figure drawing group in New Orleans where we continue the tradition of studying from a live model. This offers opportunity to practice anatomy, proportion and how light creates form. The other half the time I'm working is very much the opposite approach- I sit down without a reference or any plan of what will happen and I make marks and then pull images from there. For me going back and forth within this duality- between imagination and observation- is where I find a sort of balance.

I grew up in Virginia, lived briefly in New York City and settled in New Orleans in 2004. Since then I have also shared and sold my work on the streets of the French Quarter, for many years on Pirates Alley and currently in Jackson Square. I am deeply inspired by people watching and watching the waves of humanity pass me by while I am set up. Currently I offer 15 minute portrait studies- this allows me the freedom to draw whatever occurs in the moment and not have to feel forced to produce a 'good product'.  New Orleans is one of the only places I have seen it possible to exist as a working class artist. As long as I can continue doing my work, I am content. I pretty much always want to discuss what it's like to be alive so please come find me one day on Jackson Square!

  • Add comment

Comments

Mark Folse (not verified)

Sat, 05/24/2025 - 1:42pm
LOVE image number one but I'm retired from work and so too broke to my heart. maybe if I win the lottery cuz it would look nice next to my other.
  • reply

Add comment

Cancel

Unlikely Stories Facebook Group

Send a Tip

Recent Articles:

The End or the Beginning of Something by John Cody Bennett
Process of Elimination: Unknowing People by A Sardine on Vacation
"Reality Show," "Magic Time," and "Panoptic" by Joani Reese
Joanie by Robert Leo Heilman
"Suggested Edits," "Inheritance," and "Sestina" by Sarp Sozdinler
"Ghost-Dog Walk with Sadie Through the Forever War," "Ghost-Dog Road Trip with Sadie Where We Witness the Aftermath of Squandered History," and "Ghost-Dog Walk with Sadie after the Apocalypse" by Michael Brockley
On a Tree-Lined Street by JB Malory
Yerushah by Ethan J Rosenberg
The Devil Wears Black by Nico Green
"You" and "The Rain's Colors" by Saltanat Qaiser, trans. Talat Afroze
Seven Paintings, August 2025 by Antoine Prince
"Surreality" and "in the midst of winter rains" by Tobey Hiller
Greenland, Greenland by Gary Percesepe
Going Mobile by Leah Mueller
One-way fares by Ian C. Smith
Endling by Aryan Kaganof
"define expanse when freed," "faceless though seen," and "the dream lost" by Karl Kempton
"Hunger" and "No Lily Pad" by Thomas M. McDade
Eaters of the Dead by Lorelei Greenwood-Jones
seeing differently by Mark A. Fisher
The Burden of Being Pope Sixtus IV (continued) by A Sardine on Vacation
"The Weatherman," "Canal Song," and "The Condition" by Ken Edward Rutkowski
"After Her Diagnosis" and "Dementia and PTSD" by Martha Ellen
"Swimming," "Couldn't Be Happier," and "Dear Consciousness," by D. R. James
"Too Soon" and "the end." by Gloria Mindock
"One Evening in Wilmington with Chekhov's Gun" and "CNN Films Presents Sole Survivor (2013)...Or, It’s Called Survivor’s Guilt and It Never Goes Away" by Shannon Frost Greenstein
"Lost and Found," "Coming Along," and "Never A Time" by Luis Cuauhtémoc Berriozábal
"Six Little Darlings" and "Predators and Prey" by David Sheskin
Her New Story by Chris Carrel
Nine Paintings, July 2025 by Carrie Beene
"Tomorrow We Break New Ground" and "Tag You're It" by Gerald Yelle
I Want A New Drug by Zeke Jarvis
"Time And Place," "Freire And Illich Are Dead," and "Tired of Waiting" by Lynn White
Alpha Male 2024 by Todd Cirillo
"Vestibule," "Obscura," and "Irresponsibility" by Rats Alice Trujillo
"Miranda" and "Winter in Ukraine" by Erick Garske
Tip of a Leaf by Rekha Valliappan
May I Offer You a Moral Panic? by Jon Wesick
Shell Game by Peterson Toscano
Lunch Isn’t Ready Because ICE Came by R.S. Nelson

Unlikely Stories Six is still in development.

Bug reports are gratefully received at jonathan AT unlikelystories DOT org.

  • Bookstore
  • Facebook
  • YouTube
  • Bluesky
  • Instagram
  • Threads
  • Tips
  • Subscribe